KorsakHOW?

Time to prove that I’m keeping up with the software. I’ll never admit defeat to a machine, or something technical! I am a human, I can conquer ANYTHING!

Haha just kidding, technology scare the shit out of me. But, this Korsakow thing isn’t too bad, it is actually quite easy to wrap my head around.

This is going to be one of those posts that will appear completely useless if you already know how to use Korsakow, or if you have no desire to know about it. However, this blog is MY blog (and the best way for me to write down important things I have to remember), so go complain somewhere else.

So. Open Korsakow and save the file immediately. Then you upload your videos, which should me in the .mov format. Then, make thumbnails to your video by taking a screenshot (cmd, shift, 4, that is if you use a mac. I you don’t, I have nothing to teach you. Just get a Mac) and place them in a folder named thumbnail. Keep it nice and tidy, that will help you later.

And remember, the photos has to be .jpeg or.png, or they won’t work.

I played around a bit with the interface design, trying to figure out how to link my videos to it.

After hanging out there for a while I realised that everything is done in the SNU. Out in your library you can enter the SNU by double clicking on your files, and from there you are able to decide which functions it should have.

You have to add IN and OUT keywords, which determines which of the other video this video should link to (the out keywords) and how other videos will link to this specific video (in keywords).

In the next picture, the IN-Keywords are done correctly, but the OUT-Keywords are wrong. It should only be ONE word in each box.

Like this:

The SNU has several options for how your project can look.
You decide whether to have a picture thumbnail for your project, or use the video itself as a thumbnail, where it will start playing as soon you move the cursor over it. Unfortunately I haven’t figured out how to make it play without the music starting as well, this is pretty disturbing and ruins the main video that’s playing. Maybe if I make copies of each video without sound and use that as thumbnail… Hmmm we’ll see what I’ll do.

I added a picture to the library that I wanted to use as background. However, I cant get it to fill the whole background.

I WANT THE WHOLE BACKGROUND BLUE!

Let’s continue. I’ve added a click sound to the project, which is quite annoying to be honest. It’s the sound of a camera shutter, and I haven’t figured out how to adjust the sound level yet, so it is pretty loud and startling.

To add a click sound you first have to find a sound you want to use. Once you’ve done that (make sure it is a .wav or .mp3 file), drag it into your library, and then go into the interface editor. Go to Settings, and choose the sound file in the box that says Click Sound.

As you can see on the picture, I’ve also added the background image using the same procedure.

Some tips for things you have to keep in mind using the SNU:

Remember to link your video to the right interface. 

Remember to give your videos “unlimited lives”, if not they will only play once. 

 

Remember, if you want to add text to your project, you DON’T write it here (unless you want text on your thumbnails):

But here

 To get the text going, go into the interface editor and drag the Insert Text Widget into the interface.

That’s how far I’ve gotten with it up until now. Looking forward to explore it further!

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Movie party!

I’ve just arrived home after a 5 hour movie party at Rebecca’s house. I am happy to announce that it was very successful, and we got a lot of stuff done. AND Rebecca made burritos. Overall a very productive day.

Here is a visual presentation of some of the movies we analysed scenes from:

 

Here are some of the notes I made while watching scenes from the movies the others had brought. We all took notes, and will add these to the production folio.

 

Tree of life. Timing in narration is very good. Keeps you interested. Matches the music, the cinematography, and the editing. Beautiful cinematography.

 

Drive. Intro. The way he talks on the phone (the description of what he does without making it sound too much like a list).

 

Breaking Bad. Visually. The style and the cinematography. Lighting. It is a series which display aspects of everyday life, but it has a cold light going through it. Grey, sad, scary, depressive mood. No colours stand out particularly. We can find a big difference in Hard Candy, where all the colours are very strong. We have to decide on a style.

 

Memento. Voiceover.

 

No country for no men. FOLEY SOUND. Amazing use of sound and lighting. Unrealistic lighting?

 

The girl with the tattoo (American version). The dialogue can apply to our film (where Skarsgård talks to Craig). Very sophisticated, very normal, but extremely sadistic underneath. Notice the music, how it defines the mood. We can choose an ambiguous approach and have a light hearted music to a depressive setting, or build up the terror with it.  

I mapped out a floorplan (without camera/light positions and actors) of Rebeccas house, as we are considering to use it as location for our shoot.

We also did a lot of work in regards to the applications we have received for casting. We went through the different candidates and did a rough pick of who we thought were suitable for the roles, but we will all look through their showreels at home and make a final pick before we call them on Friday.

Here we are, working hard.

I’m about to pass out, I’ll do a better post tomorrow. Good night!

 

 

 

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25 new reasons to stop the whining and get started

I’ve mentioned Belén before haven’t I? This fresh-mouthed creature is currently my housemate, and she’s getting pretty damn good at being a person that lives in the same apartment as me. Today she made me dinner, and when you get served medium rare burgers with proper heinz ketchup (not the tomato sauce crap that goes on sausages here) and aioli, you forget everything about eating healthy. Hell, I even ate two.

BUT, the reason I’m writing this post is because she found something truly amazing online today, and shared it on facebook.

It is a post made by Chuck Wendig about, quote title, 25 Lies Writers Tell (And Start To Believe). Holy potato, thats some enjoyable reading! And, the best part about it, it can apply to other things that writing stories. In my case, I apply it to telling stories with my camera. Voi voi Integrated Media, I think this might qualify as an appropriation? Maybe not.. Anyways. It also makes me think of how people should look at this in relation to their work in general, and perhaps even studying.

One of my favorites are “I don’t have time!”
HIs claim is that we are all have the same amount of hours in a day. Alfred Hitchcock didn’t have 5 more hours every day than anyone else, neither did Stephen King. If someone is getting all their work done in time, and still have more fun socialising than you, they still have the exact same amount of time as you. GET THE &%#$#$ OFF FACEBOOK AND START DOING STUFF!! You have no excuse.

Another good one is “I have nothing more to learn”
This is just too good, it deserves a quote:

“Oh! And by the way, any of those writers who tout that line: “You can’t teach someone to be a writer, you either are a writer or you aren’t” are high on their own stench and just want to make themselves feel better. What kind of fucked-in-the-head lesson is that? You’re born a writer or you’re not? We’re beholden to some kind of creative caste system? It’s in our blood, like vampirism or syphilis? You can be taught. And you can teach yourself.”

 

There is ALWAYS more to learn. You might know all the technical specifications on your camera, but you’ll never know all the ways you can use it. Huh.. Thats kind of sad, but kind of good. Oh well.

“I need (insert some bullshit here) to help me write”
Ooooh this one hit me right in the diaphragm.. I’m lousy at this. I constantly make excuses for getting stuff when I’m studying. “Oh, I need some chocolate to motivate myself to work” or “some coke zero would do the trick to wake up my creativity”. I guess that’s just part of being a spoilt brat, thinking I need a reward to do some actual work. I don’t need shit from now on. I’ll do my god damn homework without petrol.
OI that’s where it all came from!! My parents tricked me with that when I was a kid! “Come on Sunniva, we’ll just go a little further and you’ll get some chocolate”. Geee, thanks mom and dad, no I can’t do decent work without rewarding myself.

Or maybe it was because I was crazy cute as a kid (I’m the one to the left)

“My crap isn’t as crappy as some other crap!”
Yeah I do this to. I compare my work with others, and as long as it is equally good I’m happy. To be fair, if I feel like I’m performing bad, I panic, but still, as long as everyone else is doing lousy work, I’m not too concerned that my work isn’t that good. Pretty lucky all my friends are really hard workers I guess..

This applies to my food habits as well! If you eat more than me, it doesn’t matter that I ate more in a day than what a poor tribe member in Africa did in two weeks. Ouch that’s pretty bad. I mean, yeah.

Aaaand finally, “I suck moist open ass!”
Keep telling yourself that and you’ll never succeed.

 You have one of two choices: you can be destructive to yourself or constructive. You can tear yourself down or find a way to build yourself up — and I don’t mean build yourself up with compliments but build yourself up with skills and abilities and the practice that gets you there. You suck? That thought sucks. Get better. Improve. Aim big. Give yourself the chance to fail — and then give yourself a chance to build steps from the corpses of your failure so you may climb higher every time.

 

I’m hoping I’ll be able to apply some of this to my work. Having someone yell some sense into you (in writing) is sometimes really useful.

I’m definitely buying some of his books. Go ahead and read the whole thing, I dare you.

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Appropriation

Appropriate means suitable or proper in the circumstances.
Appropriation means the action of taking something for one’s own use, typically without the owner’s permission 

You would think those two words would be closely related, but that only works if you twist it a bit. They can relate if you think of appropriation as taking something that already exists and make it into something that is appropriate for you.

Of course, in this context it isn’t about stealing. It’s about bending the rules, it’s about making do with what you have access to. Like this picture.

Before you continue reading, see if you get what it is.

 

It’s really clever. Someone has made a LEGO collection of different tv shows and cartoons. The list goes as follows:
- The Simpsons
- Teenage Mutant Ninja Turtles
- South Park
- The Smurfs
- Asterix and Obelix
- Bert and Ernie (I’m pretty sure thats the English names, in Norway it is Erling og Bengt)
- Donald Duck
- Lucky Luke

Someone has used established cartoons, which are so famous and established that I could recognise them from looking at lego figures. They have done an appropriation of the cartoons and made it into something else.

This leads me to think about if I ever use appropriation in everyday life.
Of course I do. Everyone does.
I have friends in Norway who actually use LOL in their daily language. Not only in writing, they actually say LOL. It sounds almost like lull. First of all, the shortening doesn’t even mean anything in Norwegian. Second of all, since when did people start using shortenings in their oral language?

I guess this is an appropriation of language. I could only imagine the look on my grandmothers face if I said “LOL” in a conversation.
But like Adrian mentioned, you can’t just ban certain words from a language anymore, although they try to maintain that in France.

He also mentioned an ad, which I of course haven’t seen, but which has become an appropriation in language. It no longer references the ad, or the products the ad tried to sell; people use it as a joke, a catchphrase.

An example of an appropriation in language which is not very pleasant, is the word faggot. The word originally means “a bundle of sticks”, but was used as an offensive word for women already in the 16th century.
“The application of the term to old women is possibly a shortening of the term “faggot-gatherer”, applied in the 19th century to people, especially older widows, who made a meagre living by gathering and selling firewood.”

Mr. Wikipedia suggests that it was referenced to homosexuality since female terms are often used as derogative names on gay people. It is sad to say that I didn’t know that the term meant “a bundle of sticks” until recently, I only knew of it as a nasty word which gets used by dickheads to describe gay people. The word was appropriated so thoroughly that for many it now means something completely different from it’s original meaning. (Please let me know straight away if this example is completely wrong)

Could you say that inspiration is appropriation? If you see something and make something from the idea you got from that, is that appropriation?

Or is it taking something as it is, like the shopping mall Adrian used as an example, where hanging out there without spending money there is an appropriation of that space?

Maybe it is both. It is a tactic which lets you benefit on the strategies that has created the system that surrounds you.

 

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Certeau, I finally think I get you, brah!

I found the lecture really good, I understood so much more when it was applied to life today. Adrian also made a point out of this; don’t try to interpret the reading for how it would have been understood when it was written, you have to understand why it is relevant TODAY.

Even though I went over much the same in the post for the tutorial, I want to keep this here if I ever need to revisit the subject.

Up until when the reading was written, Certeau claimed that work and liesure had been divided, two distinctions: use in the workplace, and use in leisure

The distinction between private and public is gone. So is the distinction between work and leisure. Where is the border now? Where is my private? How much media goes out of my private home? I have more than 700 friends on facebook (yup, I’m one of those), and although I’m not the most active “facebooker” they can still see pictures from my life, pictures of my family and friends, what i “like”, etc. On top of that there is this blog. Although it is mainly revolved around school, it still contains personal information.

PLACE doesn’t work anymore. Modalities of actions (what you’re doing, it doesn’t matter where you’re doing it). The statistics on consumerism only looks at what is used and how much, but not at HOW they are used.

Reference to high school uniform. You follow the rules, but find small tricks (which are not described in the rules), introduce your own agency. Think about subcultures. They become styles of action. Obeys other rules. You wear the tie, but since it isn’t specified HOW to wear it you make do.

Mass media: Studies today only pays attention to how many people who watch it. If its on, you’re watching it. There is no consideration given to the fact that a lot of people just leave the tv on, even if no one is watching it.

It doesn’t account for what you are doing with the information. What they have to realise is that it is not the transmition of the message, it’s about the reception.

 

Consumption is a form of making. It is an active mode of making, producing. Whenever you “consume” something, you are also making something new with it, since your way of usage are different from others.

Fashion victim? No, choose the clothes, positive engagement with possibilities, we’re MAKING our identity.

Act of speech. There is a formal institution that defines and controls which words are allowed to be let into the French language. How bizarre is that? You can’t control which words that are accepted or not, this is proved by swear words.

Enunciation is the act of speaking. Only looked at the making and what the text say. Think about what the people do when the message arrive. What does the people make out of it? Enunciating matters, as it will be recepted by the readers according to how it is delivered.

Things are only real in the act of making it/doing it. If you have an idea inside your head, it doesn’t really exist until it’s written down. If you’re thinking about making a movie, it isn’t real until you start making it. Sketch videos are made in the moment. That’s why we’re making them.

Appropriate the language, turn it to our own usage. MAKE DO. Daily speaking, take something from the classroom, government, and we do something with it. “I take a hoodie cause I’m a teenager” You can do it and appropriate something.

Approtriate the retail space to a hang out space. Take something that exists and make it into your own.

In class we learned that there are no original ideas anymore, and that there are only really 7 different stories, which all the others are based on. All these other stories as appropriated the original story to something of their own, with similar elements, but still their own.

 

When it comes to interpret this essay we have to interpret it from our point of view, from our perspective. Why pretend to be in “that time” to interpret it? Why roll back when we cant do anything about it? We have to understand and interpret it in a way to make it relevant for us today.

Traverse, moving around. Example: You don’t sit still on a formal language style. You create another path which moves slightly different from the original, intended one. You are moving across different language groups. The architect of a shopping mall had an agenda about traffic flow, marketing, making a place a 100% retail production. When 15 hooded guys sit there without spending, they are is doing something that falls outside the logic of that space. They are traversing the space. 

Another example: There is a roundabout in carlton. In middle, just grass. Dirt path in the middle of the roundabout, it’s a route. It’s designed to use the footpath, but the dirtpath is a traverse that goes outside the system.

OUTSIDE OF THE RULES OF THAT SYSTEM.

Surface of cleanless, but hetrogenous underneath.

Tactics and strategies.
This classroom is a strategic place. If we’re on facebook, we’re using tactics. We’re making do. Writing on the wall is potentially a strategy, its interfering with the rules of the university. Wearing ties not completely the right way is a tactic. There isn’t a rule against how to wear it.

Strategies is about power. Power is. It is everywhere.

Think about life. It just is. Every creature have a drive, power, will in life to live. Separate from every living thing. It flows through it all, but different. Academic power, social power, it comes in different shapes. Frame the power in the frame of the institution.

All expressions of power. It defines a place where this power can happen. Uni gets to define what the rules of a university is. Hospital defines rules in a hospital. Watch tv, this is how you ought to consume it. Adrian mentioned in an earlier lecture that journalists are the ones who decide what good journalism is. That is a display of power.

Triumph of place over time. Strategy is to slow it down and build a place around it. Surveilance. You must three comments per semester, if you don’t, the university can see it. Surveilance system dressed up like other things.

Strategy can say: we’re going to define uni this way, and make all the distinctions.

It produces itself in and through the knowledge. What is knowledge, legitimate practice. We have tactics to respond to this: hand in work late. We don’t refuse to participate. Not picking it up afterwards. Tactical response on your behalve, you don’t care. It is irrelevant.

Tactic is deliberate thing you do, but it doesnt have a proper place. Play on the place imposed on it. You are not going to the supermaket to hang out to break down the consumerism system, you just take advantage of the space without any plan behind it.

Make do in the space of determined places. It’s an art.

Tactic determined by the absence of power. A student has NO power, at all. BUT we can use tactics to turn things to our advantage.

Strategier define places and what is proper in that place. Totalising discourse: There is no room to negotiate on these rules.

Tactics about time. Realised through doing.

Tactics is a clever utilisation of time. Play is on the foundation of power. If you engage to CHANGE something about a power situation, you’re being strategic.

Consumption is a mode of mode of making, its tactical.
Producers are strategic. They make things that they want people to consume. But sometime there is an appropriation of an ad towards other practices.

The strategic has been successful. Everything is within a strategic system. Rules everywhere. Its become so successful that it has swallowed up everything. Brownian movement might arise. In the scene of random tactical movement. BLOGGING. No strategy to blogging. Strategic, but blogging as a practice is tactical. Social media is tactical.

Define you as a consumer, and only that. They try and define you strategically.

Think about this in relation to integrated: Internet is strategic, but a tactical space. Knowing how to make do. It always changes, constant making do. Just about the moment.

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Tute tiiiiiime!

Questions from our table.

- Where can we go to escape strategies?
- How are we “making do” in this course and on the internet?

Tactical notes

Consumption is a form of making?
Everyone interprets it into something different, creates something from it. Appropriation, take something and create it something of your own. Taking ideas, different use of making. How do you make with the things you consume?

Food: we make it. Making do, making with. It makes your body. the way it is presented is making.

On the train: what you’re wearing, what you’re doing, how you’re walking.

We are treated like consumers, and thats all. They don’t consider our behaviours, interests (or yeah, to some extent so they can sell their product etc.)
It’s made harder to travel legally with the use of machines instead of people working on the trams or trains. If you don’t have coins, you just can’t travel with public transport. But in stead of realising that the system isn’t working, we are blamed; we are threatened with more fines and more controles.
They don’t consider how to make it easier, and therefore more accesible, to us.

Mode of practice. Consumption is a form of making.

Production matters < the users matter! Big shift: you have to let audiences use your stuff. It’s about recognize that your able to understand the space your going in to. Audience is not a passive number. don’t miss what they do with your stuff.. Figure out how you can make it easier for THEM. How can I apply this to my career choice?

The easier it is for your audience to engage with your product, the more successful you’ll be.  

Tactic is an art, it is a skill. If you have it you can find advantages in everything. We are students in the university system, but we can use tactics to benefit us. It’s not an engaging political choice, it’s a “weak” decision. It’s a political act to try and change the rule. Tactics are not trying to change the rules, it happens in the margins of what the rules allow.

Microsoft is strategic, so is Apple. They make thigs that are possible to be tactical with, and also strategic.

In this course: ready to hand technology. Take what you have and do the best you can with it. Practice online: the servers you’re using. Facebook is a strategy, but you can make do there: create a group for your videos/photos/interest.

Ads aren’t trying to sell you something is a very dangerous vote. Product placement is a viral approach, they have to hide it. We are not mutes, we are strong in our use of products and the choice around it. We are aware of our choices.

What is the best/’most’ important question to ask a theory?

The point of theory is “What can I do with it?”

If there is a really hard reading, try to find small pieces of it that is useful for you. Adrian mentioned this when we were first introduced for the reading.

How is Certeau and Weinberger related? Making do is a knowledge. You turn information into knowledge by using what you have.

Everything change. Nothing last forever.

Korsakow questions

How do we add a click sound?

How do you edit your interface editor?

How can you make the thumbnail start playing when the arrow goes over it?

Which quality is the best?
Fairly good quality, but keep it small. H264 – Use good quality since Korsakow will compress it again.

How do you preview your project?
Export it.

 

 

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