Archive for July, 2010

Interview With Scott Sandwich

1. “Nah, I Mean No???” it is a interesting poem, but what was the story/picture in your mind while writing?

I think the original idea was two people (either in a crowded place – like a party for instance, or perhaps passing each other in the street… Or even in a more secluded place, like an elevator – which I suppose suits a film scene more) catching each other’s eye, or having to share the same space. In any case, one character recognises the other, and completely overthinks the relationship. They place a lot of emphasis on themselves, and how integral they are to a working social network.

The other character, may or may not be completely unaware. I hint towards them being in a completely different state of mind about the situation with the title. It’s like the first character finally strikes up the courage to say something, and the second abruptly shoots them down (nothing vicious, just as a fact of life and the situation).

Well, that was the scene I pictured, but for me, how the words are portrayed or pictured is completely open to audience speculation – pretty much the nature of poetry. Otherwise it would have been a short story, prose, or even a film of my own.

2. Who or what inspire you?

If this question was more of a general sense, inspiration comes from something a simple as rhymes. I really enjoy beat poetry from the 50s, for example. The basic idea is to find rhyme and rhythm, in a life situation where there is none.

So, my main inspiration is the modern language and how it slips in and around the mind, and then gets all muddled on the tongue, before it gets blurted out and makes slightly less sense.

3. What’s your motivation?

I’m not sure. I’m mostly a performance poet, so most of my motivation is from having something to say – and whether or not the actual content is interesting, the rhyme, rhythm and systems of language can be hypnotising.

4. Who is the target audience of your poem? anything special compared with your other poems?

I actually feel this poem is much more simple and straight forward than my other poems. For starters, it’s quite short, and so it sits in a very small moment of time. It still has the internal turmoil of one character, their train of thought, and how rhyme naturally infects the way they think – just because of the nature of modern language.

5. Is there anything that you would like to emphasize?

Perhaps that so much of what I write is more concerned with language, rhyme, rhythm and the confusion of everyday life. The poems are meant to be heard, I suppose, rather than read. But I’m not precious about how that converts to film, if you know what I mean. As far as I’m concerned, the ball is completely in your court.

6. As I know, “Nah, I Mean No???” is related to personal story and feelings, but we want to know more , like What the poem is expressing about ‘social network’? (this question is important)

It came from a place where so little of modern social interaction is actually done face to face. So much is done through other people, and heresay, and rumours, and reputation. That’s social networking. And if you want to push it into the modern era (or perhaps you even want to avoid it…), well that’s simple:

Have you ever had one of those moments when you know so much about someone, and you know them, and what they like and what they did on the weekend, but only because you’re aware of their presence on Facebook (for example)? You don’t even have to be friends with someone online to find information about them, and a lot of the time you don’t even have to look. All the social networking sites try desperately to connect people, that it’s too easy. So if you come across someone who is just not a part of that world, or just doesn’t place as much emphasis on it, there’s an immediate clash.

Just like in ‘Nah, I Mean No’ where one person has managed to develop a relationship, before there’s any actual contact between the two (or more) characters.

Whether or not the character of Nah, I Mean No is actually even using Facebook… It doesn’t really matter. That wasn’t the basis for the poem. All the poem hints at is that two people are part of the same planet.

The other character may even be thinking exactly the same thing, but we only hear one character’s point of view.

7. Your poem makes me think of a movie–”Stranger”, it is a story about complex relationships of people. If we want to put your poem as the theme of a movie, which movie you would like to be ? If there is none, can we know what kind of movie you prefer , e.g. romantic , sci-fi ….etc.

Good question. Wow. Hmm. The only movie I know by that name is about hunting down Nazi war criminals and clock towers. So I don’t think you mean that one (… Or perhaps you do. It’s a cracker of a film, in any case.).

The poem makes me think of a whole bunch of movies, just in the fact that there are people with lives that interact. Movies like ‘New York, I Love You’ (… Probably more so than Paris, je t’aime), and ‘Me And You And Everyone We Know’, and 200 Cigarettes spring to mind.

Those films are all just… moments of everyday life, and the people in them.

Before the interview

Before the interview i figured i should do some research about the poet we are interviewing soon – Scott Sandwich

Scott Sandwich is just is stage name, his real name was Tom Hogan.

After google-ing, i found his facebook, wasnt really sure was that his facebook, but yea..Scott began to produce music for short film, and also started combining progressions in story telling with musics, resulting in emotive or narrative like pieces. He is currently reside in Sydney.

This is one of his work..
59 things that make you die

Time Lapse

My Participation

My criteria for production project 2 for this semester~~

  • Attending all studios
  • Try to provide useful feedback & try to be active during the class
  • Minimum 2 blogs a week about my progress and what i’ve done
  • In terms of participating within the group, I’ll have to go to every group meetings
  • Be active during group meetings, provide useful feedback
  • Always meet deadlines

Reading Video Vortex

While going thru the content of “video vortex”, the first article that caught my attention is YouTube Magic: Videos on the net by Vera Tollmanm.

As we all know internet’s users had been increasing rapidly,  people use the internet more often than before, and they also watch stuff from the internet more often, which makes YouTube so successful. Video makers tend to broadcast their video online first before any where else. This makes us, the video maker starting to concern about the copy right issue.

“YouTube can re-sell or censor users’ clips as well as monitoring their tracks in the digital universe.” from YouTube Magic: Videos on the net by Vera Tollmanm

I personally think that this may infringed the video maker’s rights of the clips, but, when we choose to upload stuff online, we will have to be expecting this. Because in the internet there’s no such thing as “privacy”.

Back to the topic, how powerful can YouTube be??

As we know, to make money we need to produce something that audience will watch, therefore we will have to pay attention to the consumer’s habit. The consumer’s habit now a day is to watch video online. More and more the  old media follow phenomena appearing on YouTube, one great example that Tollmanm gave was a music video from Weezer, Pork and Beans. The music video interacts with YouTube’s videos.