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Bibliography
Text References Foucault, M 1980, "Truth and power", in Gordon, C. (Eds), Michel Foucault: Power/Knowledge, Harvester, Hemel Hempstead Lefebvre, H 1971, Critique De La Vie Quotidienne (Everyday Life in the Modern World), Allen Lane, Harmondsworth Lievrouw, L & Livingstone, S 2006, Handbook of New Media: Student Edition, Sage Publications Ltd Manovich, L 2001 'Cinematic and Graphic: Cinetography' in The Language of New Media, MIT Press, Massachusetts, pp. 309-330 Martin, C 2004, Breaking Narrative Bounds: The Use of Multiple Visual Narratives in Caldecott Medal Award Books, Thesis, University of Florida Soja, Edward W. 1989, Postmodern Geographies: A Reassertion of Space in Critical Social Theory, Verso Publishing, London and New York, pp. 49 Summerhayes, C, 'A Play of Memory: Chris Marker's Sans Soleil,' in Scan Journal of Arts Media Culture Yellowlees, J & Hargadon, A 2004 'The Pleasures of Immersion and Interaction: Schemas, Scripts and the Fifth Business' in Wardrip-Fruin, N and Harrigan, P (eds) 2004, First Person: New Media as Story, Performance and Game, MIT Press, Massachusetts 'The Tracey Fragments,' in The Stella Artois Insiders' guide to the 27th Atlantic Film Festival, pp. 13 Image References Most photos were taken by me. All others are published under creative commons licenses duomo1.jpg, 'Shok', Attribution-Noncommercial-No Derivative Works 2.0 Generic license duomo2.jpg, 'Roboppy,' Attribution-Noncommercial-No Derivative Works 2.0 Generic license cinema.jpeg, Frankie Roberto, Public domain license computer.jpg, Andrew pmk, GNU Free Documentation License money.jpg, Martin Kingsley, Creative Commons Attribution 2.0 License |
