<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>Blog Central</title>
	<atom:link href="http://raws.adc.rmit.edu.au/~e81843/blog2/?feed=rss2" rel="self" type="application/rss+xml" />
	<link>http://raws.adc.rmit.edu.au/~e81843/blog2</link>
	<description>A hub for RMIT insight and thought leadership</description>
	<lastBuildDate>Thu, 13 Jun 2013 06:30:30 +0000</lastBuildDate>
	<language>en</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	
		<item>
		<title>Savage remarks cut deeply: The Eddie McGuire Fallout</title>
		<link>http://raws.adc.rmit.edu.au/~e81843/blog2/?p=2650</link>
		<comments>http://raws.adc.rmit.edu.au/~e81843/blog2/?p=2650#comments</comments>
		<pubDate>Thu, 13 Jun 2013 05:54:41 +0000</pubDate>
		<dc:creator>Evelyn Tsitas</dc:creator>
				<category><![CDATA[Social Justice]]></category>
		<category><![CDATA[Sport]]></category>
		<category><![CDATA[Aboriginal Australians]]></category>
		<category><![CDATA[Ape]]></category>
		<category><![CDATA[Eddie McGuire]]></category>
		<category><![CDATA[evelyn tsitas]]></category>
		<category><![CDATA[human zoos]]></category>
		<category><![CDATA[Indigenous]]></category>
		<category><![CDATA[media]]></category>
		<category><![CDATA[Melbourne]]></category>
		<category><![CDATA[racism]]></category>
		<category><![CDATA[RMIT]]></category>

		<guid isPermaLink="false">http://raws.adc.rmit.edu.au/~e81843/blog2/?p=2650</guid>
		<description><![CDATA[A few weeks ago, I submitted my doctorate in creative writing. One of the requirements is showing evidence of original contribution to knowledge. I am analysing the human-animal hybrid in science fiction – and writing a novel about it. My work explores the abuse and exploitation of the Other – those who society deems should [...]]]></description>
			<content:encoded><![CDATA[<p><div id="attachment_2652" class="wp-caption alignright" style="width: 410px"><a href="http://www.flickr.com/photos/babasteve/5453082731/in/photostream/"><img src="http://raws.adc.rmit.edu.au/~e81843/blog2/wp-content/uploads/2013/06/5453082731_59c8a15654_o-300x200.jpg" alt="Close up portrait of an Indigenous Australian man looking down" title="Portrait" width="400" class="size-medium wp-image-2652" /></a><p class="wp-caption-text">Photo by Steve Evans</p></div> A few weeks ago, I submitted my doctorate in creative writing. One of the requirements is showing evidence of original contribution to knowledge. I am analysing the human-animal hybrid in science fiction – and writing a novel about it. My work explores the abuse and exploitation of the Other – those who society deems should be banished or marginalised.</p>
<p>I have been asked by those outside the academy what relevance my research has when I am not even investigating anything “real”. After all, human-animal hybrids don’t exist except in fantasy, fiction and mythology. And then Eddie McGuire opens his mouth, linking dual Brownlow medallist Adam Goodes with the new musical King Kong, only five days after a 13-year-old girl called the indigenous player an ape at a match at the MCG.<br />
<span id="more-2650"></span><br />
Suddenly, I find my work is indeed relevant beyond the page, beyond the doctoral submission. My research material becomes shockingly, sadly pertinent. Maureen Duffy’s 1981 novel GorSaga, about a scientist who impregnates a gorilla with his own semen to create a hybrid, follows Gor Bardfield through his troubled life where no one knows his species hybridity but they do know he is different. And when someone is different, a human trait is to brand them as Other, and the ultimate Other is – animal:</p>
<blockquote><p>“You’re very dark, Bardfield. Are you a blackie?”<br />
“He’s very hairy. He’s a monkey.”<br />
“He’s a black monkey.”<br />
They gathered around, pointing and shouting. (Duffy, GorSaga, p.123-124)</p></blockquote>
<p>Media commentators have gathered in force to support or decry McGuire’s words (and subsequent apology) in the past week. Columnist Andrew Bolt devoted a page to supporting McGuire: “…I am ashamed I helped a vile mob to punish McGuire more than is remotely fair, pushing him to tears.” (Herald Sun, June 3, 2013) The headline: “Sorry Eddie” neatly turning the story away from the victim of the racial attack. In his article, Bolt beseeches Goodes (and anyone else unfortunate enough to be the brunt of a racial abuse) to turn the other cheek.</p>
<p>However, McGuire’s comments cannot be so easily dismissed. It matters that he used the words he did. It matters how we respond to them as a society. In her <a href="http://people.ucsc.edu/~haraway/Files/PilgrimAcceptanceHaraway.pdf">2011 Pilgrim Award acceptance speech</a> from the Science Fiction Research Association, feminist theorist Donna Haraway argues: </p>
<blockquote><p>“It matters what matters we use to think other matters with; it matters what stories we tell to tell other stories with; it matters what knots knot knots, what thoughts think thoughts, what ties tie ties. It matters what stories make worlds, what worlds make stories.” </p></blockquote>
<p>How we as a country debate the Eddie McGuire fallout matters a great deal. For his were indeed savage remarks. The exhibition <a href="http://www.quaibranly.fr/en/programmation/exhibitions/last-exhibitions/human-zoos.html">Human Zoos</a> at the Musée du Quai Branly in Paris last year highlighted the brutal meaning behind likening people to apes. Others – people not like us – were viewed as those on the margins of humanity, existing on the borderline of the animal world, hence “wild” or “savage” beings. Human zoos displayed those deemed different or other as savages, objects of prurient curiosity under the guise of science. The exhibition of imported Others was a profitable industry. A photo-card from Austria in 1890 depicts an “Aborigine Troupe” on display. </p>
<p><div class="wp-caption alignleft" style="width: 235px"><img alt="Poster for German Human Zoo, 1928" src="http://upload.wikimedia.org/wikipedia/commons/d/de/Humanzoogermany.jpg" title="Poster for German Human Zoo, 1928" width="225" height="300" /><p class="wp-caption-text">Poster for German Human Zoo, 1928</p></div> Indigenous Australians were exhibited in public theatres and scientific laboratories across the United States and Europe from 1884. Only three were still alive when they were displayed in France, represented in photographs that were intended to present the Other as inferior but civilisable. At the end of the 18th century, Dutch naturalist Petrus Camper’s anatomical drawings were used to lend weight to a theory of racial hierarchies based on aesthetics. At one end was the ideal (white) person, at the other (non-white) end, according to Camper, were those who resembled monkeys.</p>
<p>In 2008, former international footballer Lilian Thuram, the most capped player in the French national team, put his name and profile behind the <a href=" www.thuram.org">Liliam Thuram Foundation</a>, which educates against racism. On the website, the stark and simple message is one that Eddie McGuire might do well to read – along with his supporters. “We are not born racist, we become racist … Racism is an intellectual and – above all political – construct.”</p>
<p>In his preface to the Human Zoos catalogue, Thuram wrote that “even today, for many communities, the best way of defining themselves is to oppose themselves to others: ‘They are like that and we are not’. Are we not capable of enjoying self-esteem without denigrating the Other?”</p>
<p>Perhaps it is telling that McGuire’s comment was not a well thought-out one, but one that by his own admission was “a slip of the tongue” (AM with Tony Eastley May 30). According to French philosopher Gaston Bachelard “thought and experience are not the only things that sanction human values. The values that belong to daydreaming mark humanity in its depths.” If this is the case, then McGuire’s subconscious remark reveals we have a long way to go before we stop thinking of “us” and “them”.</p>
<p>Our own Thuram, football great and <a href="http://thelongwalk.com.au/">The Long Walk</a> founder Michael Long, has suffered racist remarks on the field. He told Herald Sun chief football writer Mark Robinson that the only way forward is with education: “By saying ‘ape’, where did that girl get it from? It came from someone else, it had been passed down in their history.” (Herald Sun, June 1, 2013) </p>
<p>Melbourne is home to a sports museum. We have the venerated hide of the celebrated racehorse Phar Lap on display at the Melbourne Museum. Perhaps we should take a leaf from Europe and accept that as a nation, the time has come to reflect deeply on our past without the fear of being branded a “screeching New Racist” (Andrew Bolt, Herald Sun, June 3). </p>
<p>If a seasoned media personality such as Eddie McGuire can make such a devastating and casually reckless remark about a fellow human, perhaps the rich, powerful and influential of our land could get behind a collective push to establish a museum that specifically celebrates diversity and is responsible for holding as confronting and challenging exhibitions about our own country’s past as the one on Human Zoos. </p>
<p>Never underestimate the power of cultural diplomacy – or the impact of sport in helping shape public opinion. This is not simply a story about Eddie McGuire or about how sorry he feels, or about whether or not Australia is a racist country. As Thuram explains in this <a href="http://www.youtube.com/watch?v=BnBfdG1Q6u4 ">video</a>, he has encountered racism wherever he has been. It is foolish to think that Australia is immune. </p>
<p><em><span><a href="http://www.evelyntsitas.com/" target="_blank">Evelyn Tsitas </a>is a <a href="http://100daystothedoctorate/" target="_blank">PhD student</a> in Creative Writing at RMIT University. The co-author (with RMIT Public Relations lecturer Caroline van de Pol) of the pregnancy book <a href="http://evelyn+tsitas+motherland/" target="_blank">Handle With Care</a>, Evelyn has an extensive background in journalism and communications. She blogs on animal studies, fiction and popular culture at <a href="http://www.onlineopinion.com.au/" target="_blank">On Line Opinion</a> a forum for public social and political debate about current Australian issues and is the Australian Postgraduate Representative for the </span></em><em><span>Association for the Study of Literature, Environment and Culture &#8211; Australia, New Zealand<a href="http://www.aslec-anz.asn.au/" target="_blank"> (ASLEC-ANZ)</a></span></em><span style="font-size: small;">.</span></p>
]]></content:encoded>
			<wfw:commentRss>http://raws.adc.rmit.edu.au/~e81843/blog2/?feed=rss2&#038;p=2650</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Keep calm and trademark it: privatising the English language</title>
		<link>http://raws.adc.rmit.edu.au/~e81843/blog2/?p=2635</link>
		<comments>http://raws.adc.rmit.edu.au/~e81843/blog2/?p=2635#comments</comments>
		<pubDate>Fri, 24 May 2013 01:19:03 +0000</pubDate>
		<dc:creator>Harry Blutstein</dc:creator>
				<category><![CDATA[Law]]></category>
		<category><![CDATA[Media & Communications]]></category>
		<category><![CDATA[artist expression]]></category>
		<category><![CDATA[British World War II slogan]]></category>
		<category><![CDATA[English language]]></category>
		<category><![CDATA[Keep Calm and Carry On]]></category>
		<category><![CDATA[privatisation]]></category>
		<category><![CDATA[trademark]]></category>

		<guid isPermaLink="false">http://raws.adc.rmit.edu.au/~e81843/blog2/?p=2635</guid>
		<description><![CDATA[In the heart of Northumberland, England, is the pretty town of Alnwick. For bibliophiles, a stop at its second-hand bookshop is a must. Barter Books is housed in the town’s old railway station and, on its outside wall, the shop’s owner Stuart Manley has hung a piece of ephemera, a World War Two poster that [...]]]></description>
			<content:encoded><![CDATA[<div id="attachment_2637" class="wp-caption alignright" style="width: 310px"><a href="http://raws.adc.rmit.edu.au/~e81843/blog2/wp-content/uploads/2013/05/yjq4sgqb-13680746081.jpg"><img src="http://raws.adc.rmit.edu.au/~e81843/blog2/wp-content/uploads/2013/05/yjq4sgqb-13680746081-300x199.jpg" alt="" title="Keep Calm &amp; Carry On slogan" width="300" height="199" class="size-medium wp-image-2637" /></a><p class="wp-caption-text">The long-lost British World War II slogan ‘Keep Calm and Carry On’ has been revived in recent years, leading to it being successfully trademarked by a British businessman. (Nima Badley)</p></div>
<p>In the heart of Northumberland, England, is the pretty town of Alnwick. For bibliophiles, a stop at its second-hand bookshop is a must. <a href="http://www.barterbooks.co.uk/">Barter Books</a> is housed in the town’s old railway station and, on its outside wall, the shop’s owner Stuart Manley has hung a piece of ephemera, a World War Two poster that reads <a href="http://www.keepcalmandcarryon.com/">“Keep Calm and Carry On”</a>.</p>
<p>The problem is that Mark Coop, a businessman, <a href="http://www.telegraph.co.uk/news/8785585/Battle-rages-over-Keep-Calm-and-Carry-On-souvenirs.html">trademarked the phrase in 2011</a>. Coop saw an opportunity to create a monopoly of souvenir mugs, aprons and the like bearing this slogan. He even copied the poster design, and ever since this unremarkable English phrase has been taken out of the public realm and is now privately owned.</p>
<p><span id="more-2635"></span></p>
<p>If an article is written about banking, and suggests that a particular institution which has branches in every time zone is a <a href="http://www.nytimes.com/2008/05/12/business/media/12citi.html?_r=0">“bank that never sleeps”</a>, it can only use that common phrase to refer to Citibank, because that phrase has been trademarked by Citibank and is now its private property.</p>
<p>At a school sports event, you should forget putting up a sign that says <a href="http://www.highsnobiety.com/2012/10/15/how-just-do-it-was-conceived-by-wieden-kennedy-for-nike/">“Just Do It”</a> unless Nike is the sponsor.</p>
<p>A poet wishing to use the phrase <a href="http://www.adweek.com/news/advertising/adweek-critique-waifs-progress-new-stripped-down-obsession-campaign-features-partia">“between love and madness lies obsession”</a> may find themselves in trouble because Calvin Klein has trademarked the expression for its line of Eau de Parfum products.</p>
<p>And anyone thinking of writing a memoir and wishes to recall happy times reading Winnie the Pooh books may be forced to pay a license fee to <a href="http://articles.latimes.com/2012/dec/21/news/la-disney-controls-winnie-the-pooh-trademarks-court-rules-20121221">Disney</a>, which has trademarked the book’s characters.</p>
<p>Disney has <a href="http://www.washingtonpost.com/business/disney-drops-bid-to-trademark-name-of-traditional-mexican-dia-de-los-muertos-holiday/2013/05/08/c6780a38-b7ec-11e2-b568-6917f6ac6d9d_story.html">current form</a> in this area. The company has recently dropped a bid to trademark “Dia de los Muertos&#8221;, the name of the traditional “Day of the Dead” holiday celebrated by millions in Mexico.</p>
<p>If successful, it would have given Disney exclusive rights to use the name on merchandise – and presumably prevented Mexicans from doing the same without paying a license fee to Disney.</p>
<div id="attachment_2638" class="wp-caption alignright" style="width: 247px"><a href="http://raws.adc.rmit.edu.au/~e81843/blog2/wp-content/uploads/2013/05/j3zhr56c-1368074631.jpg"><img src="http://raws.adc.rmit.edu.au/~e81843/blog2/wp-content/uploads/2013/05/j3zhr56c-1368074631.jpg" alt="" title="McDonald&#039;s exterior" width="237" height="297" class="size-full wp-image-2638" /></a><p class="wp-caption-text">The ‘Mc’ of ‘McDonalds’ has been trademarked, and subject the company’s control. (Flickr/smenzel)</p></div>
<p>Perhaps the most egregious example of the takeover of the language is the aggressive approach taken by McDonalds to stop any retailer using “Mc” in its trading name. In 1996, McDonald’s threatened to take Mary Blair of Buckinghamshire, England, to court because she had called her sandwich shop McMunchies. Blair told the <a href="http://www.mcspotlight.org/media/press/times_24sep96.html">London Times</a>:</p>
<blockquote><p>This is a small corner shop. We sell cold sandwiches, cold meats.</p>
</blockquote>
<p>It is hard to believe that anyone could confuse McMunchies, which sells neither burgers nor chips, with a McDonald’s franchise.  That is, anyone but McDonald’s, which issued a <a href="http://www.mcspotlight.org/case/trial/verdict/legalint.html">statement</a> explaining that the prefix “Mc” was the firm’s property:</p>
<blockquote><p>If someone, either deliberately, or unintentionally, uses our trademarks in their own food or restaurant-related business they are effectively using something that does not belong to them.</p>
</blockquote>
<p>In France, the modern concept of trademarks appeared in 1857.  The <a href="http://www.cpaglobal.com/newlegalreview/1175/the_ip_guide_to_france">Manufacture and Goods Mark Act</a> allowed owners to register and protect their trademarks. This law marked the first time a trademark as was recognised as property with its own intrinsic value and legal rights.</p>
<p>Few would disagree that brands have a right to protect themselves from counterfeiters. For instance, Coca-Cola should be able to stop another company trying to pass off its soft drink for the real thing. But should Coca-Cola be able to trademark the “the real thing”, taking ownership of the phrase in perpetuity?</p>
<p>Once, trademarks were only used to protect logos and brand names. This changed in 1923, when Edgar Rice Burroughs registered <a href="http://newsandinsight.thomsonreuters.com/New_York/News/2012/02_-_February/Me_Tarzan__You___trademark_infringer_/">“Tarzan”</a> as a trademark. This allowed his estate to circumvent the limited time it could legally enjoy profits from its copyright.</p>
<div id="attachment_2639" class="wp-caption alignleft" style="width: 247px"><a href="http://raws.adc.rmit.edu.au/~e81843/blog2/wp-content/uploads/2013/05/xv6vdgjd-1368075109.jpg"><img src="http://raws.adc.rmit.edu.au/~e81843/blog2/wp-content/uploads/2013/05/xv6vdgjd-1368075109.jpg" alt="" title="Rock n Roll Hall of Fame" width="237" height="178" class="size-full wp-image-2639" /></a><p class="wp-caption-text">The owners of the Rock and Roll Hall of Fame and Museum intended on suing a photographer who made a made a poster of the building. (alexabboud)</p></div>
<p>There are other examples of how trademarks have extended well beyond their original purpose. In 1995, photographer Charles M. Gentile made a poster of the I. M. Pei building, which houses the Rock and Roll Hall of Fame and Museum in Cleveland, Ohio. Gentile was surprised when he discovered that the museum intended to sue him for <a href="https://ls2.cmich.edu/cgi-bin/wa?A3=ind0101&amp;amp;L=AEJMC&amp;amp;E=0&amp;amp;P=1100885&amp;amp;B=--%3D%3D%3D%3D%3D%3D%3D%3D%3D%3D%3D%3D%3D%3D%3D%3D%3D%3D%3D%3D%3D_4033966%3D%3D_&amp;amp;T=text%2Fplain;%20charset=us-ascii">infringing</a> its trademark over its own image.</p>
<p>The implications of this extension of trademarks are mindboggling. If artists and photographers need to pay license fees to use trademarked images of public buildings, it would represent a private tax on artistic expression.</p>
<div id="attachment_2641" class="wp-caption alignright" style="width: 247px"><a href="http://raws.adc.rmit.edu.au/~e81843/blog2/wp-content/uploads/2013/05/zjj9yx86-13680757521.jpg"><img src="http://raws.adc.rmit.edu.au/~e81843/blog2/wp-content/uploads/2013/05/zjj9yx86-13680757521.jpg" alt="" title="Whiskas can " width="237" height="178" class="size-full wp-image-2641" /></a><p class="wp-caption-text">Mars has trademarked the color ‘Whiskas purple’, claiming they invented the shade. (Wolcott Hartigan)</p></div>
<p>The next target for trademark lawyers has been the colour spectrum. In November 2002, Mars applied to trademark <a href="http://www.condon.com.au/articles/court-approves-registration-of-whiskas-purple-as-a-trademark/">“Whiskas purple”</a> for its cat food packaging, and it was successful in doing so in 2010.</p>
<p>Justice Bennett of the Australian Federal Court <a href="http://www.claytonutz.com.au/publications/news/201006/25/whiskas_purple_colour_mark_gets_up_in_federal_court.page">accepted</a> the argument that Mars invented the colour specifically for its cat food range. Considering the infinite palate employed by Mother Nature, might not the good lady find that she has inadvertently used “Whiskas purple” on some animal or plant, and find herself paying Mars a licence fee?</p>
<p>Companies may well spend millions of dollars coming up with catchy slogans, and a small fortune promoting those slogans to consumers. That, however, does not mean that they should be allowed to take exclusive ownership over parts of the language, or for that matter public images and now colours. A company can adequately protect its brand from imitators using a distinctive name and logo. The two work together to provide a unique identifier.</p>
<p>Trademarking advertising slogans, however, is unnecessary. Companies should not be able to legalise “squatters&#8217; rights” to what is, after all, public property.</p>
<p><img src="//counter.theconversation.edu.au/content/14044/count.gif" alt="The Conversation" width="1" height="1" /></p>
<p><em><a href="http://www.rmit.edu.au/browse;ID=9dscogq722tt1">Harry Blustein</a> is an Adjunct Professor in the <a href="http://www.rmit.edu.au/socialhumanities">School of Global, Urban and Social Studies</a> at <a href="http://www.rmit.edu.au">RMIT University</a>. He has had over thirty five years experience in environment protection and sustainability and is currently director of Lighthouse Bureau and Integrating Sustainability, working with government and industry on sustainability issues. Prior to 2002, he was Director of Sustainability at EPA Victoria, where he was worked on a range of environmental policies, enforcement and managing the provision of scientific services. This article was originally published at <a href="http://theconversation.com">The Conversation</a>. Read the <a href="http://theconversation.com/keep-calm-and-trademark-it-privatising-the-english-language-14044">original article</a>.</em></p>
]]></content:encoded>
			<wfw:commentRss>http://raws.adc.rmit.edu.au/~e81843/blog2/?feed=rss2&#038;p=2635</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>SYN celebrates 10 years of young people on air</title>
		<link>http://raws.adc.rmit.edu.au/~e81843/blog2/?p=2573</link>
		<comments>http://raws.adc.rmit.edu.au/~e81843/blog2/?p=2573#comments</comments>
		<pubDate>Wed, 15 May 2013 05:14:29 +0000</pubDate>
		<dc:creator>RMIT</dc:creator>
				<category><![CDATA[Education]]></category>
		<category><![CDATA[Entertainment]]></category>
		<category><![CDATA[Media & Communications]]></category>
		<category><![CDATA[Technology]]></category>
		<category><![CDATA[Australia]]></category>
		<category><![CDATA[community radio]]></category>
		<category><![CDATA[digital]]></category>
		<category><![CDATA[media]]></category>
		<category><![CDATA[Melbourne]]></category>
		<category><![CDATA[radio]]></category>
		<category><![CDATA[RMIT]]></category>
		<category><![CDATA[SYN]]></category>

		<guid isPermaLink="false">http://raws.adc.rmit.edu.au/~e81843/blog2/?p=2573</guid>
		<description><![CDATA[SYN Media is a not-for-profit media organisation run by a community of young people, providing training and broadcast opportunities to those aged 12-25. Based on RMIT’s City Campus, the station itself has just celebrated ten years of radio broadcasting. Tahlia Azaria, General Manager and RMIT Alumnus (Bachelor of Communication (Journalism)), spoke to RMIT University about [...]]]></description>
			<content:encoded><![CDATA[<p><div id="attachment_2576" class="wp-caption alignright" style="width: 238px"><a href="http://raws.adc.rmit.edu.au/~e81843/blog2/wp-content/uploads/2013/05/IMG_6127.jpg"><img src="http://raws.adc.rmit.edu.au/~e81843/blog2/wp-content/uploads/2013/05/IMG_6127-228x300.jpg" alt="Tahlia Azaria" title="Tahlia Azaria" width="228" height="300" class="size-medium wp-image-2576" /></a><p class="wp-caption-text">Tahlia Azaria, RMIT Alumnus and General Manager of SYN Media</p></div><a href="http://syn.org.au">SYN Media</a> is a not-for-profit media organisation run by a community of young people, providing training and broadcast opportunities to those aged 12-25.  Based on RMIT’s City Campus, the station itself has just celebrated <a href="http://www.syn.org.au/news/2013-01-17/syn-marks-10-years-air">ten years of radio broadcasting</a>. Tahlia Azaria, General Manager and RMIT Alumnus (<a href="http://www.rmit.edu.au/browse;ID=BP220">Bachelor of Communication (Journalism)</a>), spoke to RMIT University about the organisation’s growth and future plans.</p>
<p><strong>What is SYN?</strong></p>
<p>I’d like to think that SYN is an environment where people can come and meet other young people and learn more about the industry, but also learn more about themselves. People really build on their communication, teamwork and confidence skills while being a part of SYN. They also get a real opportunity to make their mark on the media and to launch their careers.</p>
<p><strong>How are SYN and RMIT connected?</strong></p>
<p>SYN came out of RMIT over ten years ago, when RMIT’s Student Radio Association amalgamated with Thornbury-Darebin High’s Radio Station, and went to bid for our broadcasting licence. After a really competitive bidding process, SYN was only one of very few stations to get the licence for free. Having RMIT’s support at that early stage was crucial. <span id="more-2573"></span></p>
<p>RMIT host us on their campus, where we have access to the studios and what we call the ‘House of SYN’ which is our office – we wouldn’t be able to do any of this without RMIT’s support so we’re very, very grateful for that.</p>
<p><div id="attachment_2608" class="wp-caption alignleft" style="width: 310px"><a href="http://raws.adc.rmit.edu.au/~e81843/blog2/wp-content/uploads/2013/05/zoe.jpg"><img src="http://raws.adc.rmit.edu.au/~e81843/blog2/wp-content/uploads/2013/05/zoe-300x200.jpg" alt="SYN Volunteer uses the studios " title="Zoe Davies" width="300" height="200" class="size-medium wp-image-2608" /></a><p class="wp-caption-text">RMIT Media student Zoe Davies in SYN's brand new radio studios.</p></div> <strong>How does SYN enhance students learning experiences at RMIT? </strong><br />
 RMIT has a great reputation for its media courses and its journalism courses. When I was looking for what I wanted to study, the only option that I could see that was worthwhile was RMIT because it’s so practical – I think that’s only enhanced by having SYN on campus. The media industry is incredibly competitive, and to actually get a job you have to have hands-on experience, which is what RMIT and SYN offer. </p>
<p><strong>How did your time at SYN enhance your own university experience?</strong></p>
<p>I volunteered at SYN for five years and it was easy because I was on the campus at RMIT for three of those years, doing my course. Being able to take the skills I learnt at university and then apply them in a real life setting was just invaluable. I think it’s obvious that SYN provides value to RMIT students just by the sheer number of RMIT students that are here – not just from media and journalism, but also from a vast range of different courses. It’s a fascinating way to learn.</p>
<p><strong>How many young people participate in SYN each year?</strong></p>
<p>Every year we have between 850 and 1000 members. The majority of people come to make radio, but there are also those to come to make television and screen content.<br />
<div id="attachment_2618" class="wp-caption alignright" style="width: 310px"><a href="http://raws.adc.rmit.edu.au/~e81843/blog2/wp-content/uploads/2013/05/17002.jpg"><img src="http://raws.adc.rmit.edu.au/~e81843/blog2/wp-content/uploads/2013/05/17002-300x200.jpg" alt="Inside Television Studio" title="Inside Television Studio" width="300" height="200" class="size-medium wp-image-2618" /></a><p class="wp-caption-text">SYN Volunteers in the Channel 31 control room producing live-to-air music show &#039;1700&#039;</p></div> We also have 35 key leadership positions filled by volunteers that take on roles in various committees. Volunteers sometimes treat SYN like a full time job – I’ve actually had volunteers who have full time paying jobs who reduce their hours so they can take on volunteer opportunities. I just think that’s incredible.</p>
<p><strong>How is SYN different from other radio stations?</strong></p>
<p>Our five values are Access, Participation, Innovation, Diversity and Independence, so we always make sure that we’re adhering to those values in everything that we do.</p>
<p>An example of these values in practice is the rotation of our radio-programming grid every three months so that we can provide more access and participation opportunities to young people. This gives new opportunities to around 250 young people every three months, whereas you could be waiting for years to get to commercial radio or even to other community radio stations.</p>
<p>In a similar way, the fact that we are just for young people 12-25 means that when people turn 26 unfortunately they have to leave, but this means there’s always new opportunities for other people to come in.</p>
<p><div id="attachment_2625" class="wp-caption alignleft" style="width: 310px"><a href="http://raws.adc.rmit.edu.au/~e81843/blog2/wp-content/uploads/2013/05/IMG_61031.jpg"><img src="http://raws.adc.rmit.edu.au/~e81843/blog2/wp-content/uploads/2013/05/IMG_61031-300x252.jpg" alt="Young man presenting radio" title="Radio Studio Alex" width="300" height="252" class="size-medium wp-image-2625" /></a><p class="wp-caption-text">Business student Alexander Matthew-John is building his broadcasting skills as a SYN volunteer.</p></div><strong>SYN’s just celebrated a decade on air. How are you celebrating the 10-year anniversary?</strong></p>
<p>10 years is a big, big achievement for SYN because we’re still here, and we’re doing better than ever. It’s really exciting. </p>
<p>We celebrated by doing a massive fundraising effort in which we raised over $100,000 to rebuild our studios. They hadn’t been upgraded for 10 years since we started &#8211; and even then, the studios were sort of cobbled together with second hand and donated equipment. </p>
<p>This time around we actually got to do it right, and we got to buy new equipment so now it looks all shiny and new. It’s a really exciting thing to be able to enter our teens with proper equipment and a nice shiny studio. </p>
<p><strong>What are SYN’s big plans for the future? </strong><br />
We’re in the very lucky position at the moment to have access to digital spectrum, which means we have access to an extra 24 hours a day of broadcast time that we can use to serve the youth community of Melbourne.  </p>
<p>The kinds of opportunities SYN offers young people in the city are fantastic and it would be wonderful to extend that to other young people in regional areas, by giving them opportunities and a platform to let their message be heard. As we now do have a digital channel, we can also offer more RMIT students opportunities to make radio with us, and to be part of a new technology.</p>
<p>The most exciting thing about SYN is that we’re always growing and always innovating, just by nature of being a youth station. With new volunteers joining up all the time, there are always new ideas and a lot of energy to make those ideas happen. We’re a very lucky place to be able to do that. </p>
<p><em>You can find out more about SYN Media and opportunities to get involved on their website: <a href="http://syn.org.au">http://syn.org.au.</a><br />
SYN broadcasts on 90.7 FM in Melbourne, and also on Digital and Online.</em></p>
]]></content:encoded>
			<wfw:commentRss>http://raws.adc.rmit.edu.au/~e81843/blog2/?feed=rss2&#038;p=2573</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Striving Against Realism: Peter Corrigan’s Theatrical World</title>
		<link>http://raws.adc.rmit.edu.au/~e81843/blog2/?p=2592</link>
		<comments>http://raws.adc.rmit.edu.au/~e81843/blog2/?p=2592#comments</comments>
		<pubDate>Mon, 13 May 2013 01:07:11 +0000</pubDate>
		<dc:creator>Michael Kantor</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://raws.adc.rmit.edu.au/~e81843/blog2/?p=2592</guid>
		<description><![CDATA[Architect Peter Corrigan, best known locally as the designer of RMIT’s iconic Building 8, is also a master sorcerer of the Australian stage: a weaver of dreams; conjurer of magic tricks; architect of outlandish angles, clashing colors, and optical illusions. His imagery is at once achingly beautiful, frightening and emotionally devastating, and always revelatory. This [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://raws.adc.rmit.edu.au/~e81843/blog2/wp-content/uploads/2013/05/Through-the-Looking-Glass-Malthouse-Theatre-Victorian-Opera-2008.jpg"><img src="http://raws.adc.rmit.edu.au/~e81843/blog2/wp-content/uploads/2013/05/Through-the-Looking-Glass-Malthouse-Theatre-Victorian-Opera-2008-300x192.jpg" alt="" title="Through the Looking Glass, Malthouse Theatre &amp; Victorian Opera, 2008" width="300" height="192" class="alignright size-medium wp-image-2597" /></a>Architect Peter Corrigan, best known locally as the designer of RMIT’s iconic Building 8, is also a master sorcerer of the Australian stage: a weaver of dreams; conjurer of magic tricks; architect of outlandish angles, clashing colors, and optical illusions. His imagery is at once achingly beautiful, frightening and emotionally devastating, and always revelatory. </p>
<p>This week audiences will be able to see Corrigan’s set design come alive within <a href="http://www.rmit.edu.au/rmitgallery/peter-corrigan">RMIT Gallery’s exhibition Peter Corrigan: Cities of Hope</a> (12 April – 8 June). Kate Kendall (Neighbors) will star in <a href="http://www.rmit.edu.au/browse;ID=cck4gtd7nvys">The Lover</a>, a one-act play adapted from Marguerite Duras’ best selling novel. Corrigan’s extraordinary pop-up set within the gallery reveals him as a master craftman of ephemeral, temporary spaces.</p>
<p>Peter’s “poor theatre” aesthetic is particularly well-suited to the realities of making theatre in Australia, especially the type of theatre makers that Peter has been drawn to – often on the periphery of the mainstream, peddling a contrary representation of the world to the realist trap that features so much on the middle-brow stage.<br />
<span id="more-2592"></span><br />
This is seen in Peter’s principal collaborators most of which have invariably been iconoclasts and renegades, and with whom Peter has ploughed the fields of a theatre of dreams and visions, a theatre not of the probable but the possible and impossible. Barrie Kosky, Peter King, Jean Pierre Mignon, John Pinder, myself, and several others have all been attracted to Peter like moths to the flame.<br />
<div id="attachment_2600" class="wp-caption alignleft" style="width: 310px"><a href="http://raws.adc.rmit.edu.au/~e81843/blog2/wp-content/uploads/2013/05/Projections-ALL.jpg"><img src="http://raws.adc.rmit.edu.au/~e81843/blog2/wp-content/uploads/2013/05/Projections-ALL-300x151.jpg" alt="" title="Projections" width="300" height="151" class="size-medium wp-image-2600" /></a><p class="wp-caption-text">Through the Looking Glass, Malthouse Theatre &#038; Victoria Opera, 2008 Photograph: Michael Busby Director: Michael Kantor Set, Costume &#038; masks Designer: Peter Corrigan</p></div><br />
There is little point in attempting to measure Peter’s impact in the context of those elements of Australian theatre that have remained doggedly obsessed with realism, sentimentality and political correctness. Peter’s impact transcends the banal mirror that only reflects back to us a contented perhaps smug and verifiable view of ourselves. </p>
<p>Introduced to the stage from a young age, Peter has from the outset been attracted to this odd community of actors, singers, directors and designers, stage hands, dancers, and producers, all striving for the same outcome, and sweating under the spotlights, in order to – as Diaghilev demanded of a young Cocteau – “astonish us”. </p>
<p>He rather loves the camaraderie in the communal struggle of a bunch of thinkers and dreamers who fail as much as succeed but are driven by passion for an outcome that is quite different from the physically enduring bricks and mortar of the building world.<br />
<div id="attachment_2595" class="wp-caption alignright" style="width: 222px"><a href="http://raws.adc.rmit.edu.au/~e81843/blog2/wp-content/uploads/2013/05/through-the-looking-glass-2.jpg"><img src="http://raws.adc.rmit.edu.au/~e81843/blog2/wp-content/uploads/2013/05/through-the-looking-glass-2-212x300.jpg" alt="" title="080710_costumes_photos.indd" width="212" height="300" class="size-medium wp-image-2595" /></a><p class="wp-caption-text">Through the Looking Glass, Malthouse Theatre &#038; Victoria Opera, 2008 Photograph: Michael Busby Director: Michael Kantor Set, Costume &#038; masks Designer: Peter Corrigan</p></div><br />
Although, along with his collaborators, Peter has been accused of not respecting the play or its author’s intentions, the script and its possibilities have been the starting point of all conversations. Peter’s scenography is first and foremost a response to text, but it is text that flows past the page and into the world &#8211; mixing with all the extremities of the complex culture in which it must now find new life &#8211; before flowing on to the designed stage, and out of an actor or singer’s mouth.</p>
<p>Be it Brecht or Buckner, Chekhov, or Rommeril , Verdi or Mozart or Berg, Peter has an uncanny ability to find the contrary, subversive but no less real  rendering of their work in images and three dimensional shapes. </p>
<p>Sitting with Peter in his cluttered office with books stacked perilously to the ceiling and treasured notes in complicated piles on his desk, he would beguile with me with seemingly obtuse and distant echoes of an idea, before leading me with conviction to the heart of the matter, his revelation of the spirit of a work, and its potential effect on an audience. </p>
<p>I sometimes remained confused as to the import of an image he proposed to have flown in to the third act or a bizarre costume that he insisted would twist around the leading lady at her final swansong. It was often only when I sat with an audience in early previews and felt with them the subliminal unconscious undertow that these images generated, that I would look across the audience to see his twinkling eyes in the back row of the balcony, eyes that understood and anticipated the impact his work can generate.</p>
<p>Not content to design space alone, Peter is as concerned with the fall of a dress, the exact shape of a walking stick or a butcher’s hook. His costume drawings are works of art.  He is a total designer, for a total theatre.</p>
<p>This is an edited extract of Michael Kantor’s article “Corrigan The Master Sorcerer” in the exhibition catalogue Peter Corrigan: Cities of Hope, RMIT Gallery, 2013. </p>
<p><em>Michael Kantor has directed theatre productions, opera and feature film in Australia and internationally. He was Artistic Director and CEO of Malthouse Theatre 2005 to 2010.<br />
</em></p>
]]></content:encoded>
			<wfw:commentRss>http://raws.adc.rmit.edu.au/~e81843/blog2/?feed=rss2&#038;p=2592</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Bangladesh disaster shows why we must urgently clean up global sweat shops</title>
		<link>http://raws.adc.rmit.edu.au/~e81843/blog2/?p=2553</link>
		<comments>http://raws.adc.rmit.edu.au/~e81843/blog2/?p=2553#comments</comments>
		<pubDate>Wed, 08 May 2013 06:33:35 +0000</pubDate>
		<dc:creator>Sharif As-Saber</dc:creator>
				<category><![CDATA[Business]]></category>
		<category><![CDATA[Social Justice]]></category>
		<category><![CDATA[Sustainability]]></category>
		<category><![CDATA[bangladesh]]></category>
		<category><![CDATA[building]]></category>
		<category><![CDATA[collapse]]></category>
		<category><![CDATA[economy]]></category>
		<category><![CDATA[fashion]]></category>
		<category><![CDATA[society]]></category>
		<category><![CDATA[sweatshop]]></category>

		<guid isPermaLink="false">http://raws.adc.rmit.edu.au/~e81843/blog2/?p=2553</guid>
		<description><![CDATA[The disastrous building collapse in Bangladesh’s capital of Dhaka which has killed hundreds of ill-fated garment workers and wounded thousands, has finally shone some well-needed light into the murky business of global sweatshops. Greed, profiteering, empire-building and a lack of transparency and morality underpin the rise of this industry. Following the collapse of Rana Plaza [...]]]></description>
			<content:encoded><![CDATA[<p><div id="attachment_2562" class="wp-caption alignright" style="width: 310px"><a href="http://raws.adc.rmit.edu.au/~e81843/blog2/wp-content/uploads/2013/05/r66m2gqw-1367803742.jpg"><img src="http://raws.adc.rmit.edu.au/~e81843/blog2/wp-content/uploads/2013/05/r66m2gqw-1367803742-300x199.jpg" alt="BANGLADESH BUILDING COLLAPSE AFTERMATH" title="BANGLADESH BUILDING COLLAPSE AFTERMATH" width="300" height="199" class="size-medium wp-image-2562" /></a><p class="wp-caption-text">Could the collapse of Rana Plaza in Bangladesh’s Savar district be a catalyst for reform of the global sweat shop trade? AAP/ Abir Abdullah</p></div>The disastrous building collapse in Bangladesh’s capital of Dhaka which has killed hundreds of ill-fated garment workers and wounded thousands, has finally shone some well-needed light into the murky business of global sweatshops.</p>
<p>Greed, profiteering, empire-building and a lack of transparency and morality underpin the rise of this industry.</p>
<p>Following the collapse of Rana Plaza in district of Savar, the European Union – the destination of 60% of Bangladeshi garments – is threatening to reconsider the <a href="http://ec.europa.eu/taxation_customs/customs/customs_duties/rules_origin/preferential/article_781_en.htm">Generalised System of Preferences</a> (GSP) extended to Bangladesh through which the country currently receives duty-free and quota-free access. The United States is also considering this action.</p>
<p>The <a href="http://www.retailcouncil.org/">Retail Council of Canada</a> has also proposed new trade guidelines with Bangladesh in response to the disaster.</p>
<p><span id="more-2553"></span></p>
<p>Locally, the <a href="http://tcfua.org.au/">Textile, Clothing and Footwear Union of Australia</a> has called for Australian companies such as David Jones, Kmart, Big W to disclose their own supply chains and that of their suppliers.</p>
<p>But there is much more that can be done to clean up this accident-ridden, exploitative industry.</p>
<p>With more than 5000 garments manufacturing factories, Bangladesh is the world’s second largest exporter of ready-made garments after China, earning US$20 billion annually and employing more than four million workers, 90% of whom are women.</p>
<p>But demand from the West for cheaper production and supply has prompted the rapid growth of industrial infrastructure of countries like Bangladesh without proper assessment, inspection and control processes.</p>
<p>Illegal and shoddy building design and lax safety standards are rife within the garments industry due to the complicity of corrupt engineers, officials and politicians.</p>
<p>Incidents of fire and collapses and appalling working conditions are commonplace. In November 2012, a fire in the Tazreen Fashions factory on the outskirts of the Bangladeshi capital, Dhaka, killed 112 people. In Chittagong in 23 February 2006, fire killed 83 garment workers – including girls aged between 12 and 14 years – at the KTS Textile Industries factory. Prior to cataclysmic Savar collapse, several hundred people had died in numerous incidents across Bangladesh.</p>
<p>In the just-collapsed Rana Plaza, the building was over-stressed with machinery and up to 500 people working on each of the five 6000 square feet levels.</p>
<p>The working conditions in these factories are, in most cases, horrible with lack of sufficient space, light and supply of drinking water. They are literally “death traps” with workers locked inside to prevent theft, leaving no way to escape disasters such as fire.</p>
<p>With an average wage of less than A$37 a month, the factory work is physically demanding and emotionally draining.  Workers report  physical and verbal harassment is rampant within the industry.</p>
<p>To achieve ruthless daily targets, workers may skip meals and work long hours. The emotional impact and stress level are extremely high among these poor workers.</p>
<p>Similarly appalling conditions are found throughout the industry, with similar complaints in countries including Pakistan, India, China, Cambodia, Honduras, Vietnam, Indonesia and the Philippines. In Pakistan, 289 people died in a fire in September last year at the Ali Enterprises Garment Factory in Karachi.</p>
<p>Following the Bangladeshi disaster, the Australian Fashion Council told consumers not to buy cheaper products made in sweatshops in developing countries including Bangladesh.</p>
<p>But this isn’t the answer. Firstly, the misconception about boycotting cheaper products needs to be clarified. Products such as smartphones, luxury fashion accessories including clothes and footwear are also produced in sweatshops.</p>
<p>Abandoning products from a specific country may simply move the trade to another country, without much needed reform.</p>
<p>Rather, it is important to pressure the government to become more responsive to demands by activists and consumers, to make the industry more transparent and accountable.</p>
<p>It is essential the Bangladeshi government revisits its regulatory regime and makes necessary amendments to include issues such as design and construction of factories together with ensuring working conditions consistent with the <a href="http://www.ilo.org/global/standards/lang--en/index.htm">ILO (International Labour Organisation) Convention</a>.</p>
<p>Also, creating better awareness among the factory owners and managers about the importance of these infrastructure and management issues, is critical.</p>
<p>Business has a much needed role to play here. US retailer Walmart has pledged to establish a training institute in Bangladesh to train factory owners, managers and workers about issues of worker conditions and safe infrastructure. British retailer Primark and Canadian firm Loblaw have both promised to compensate victims.</p>
<p>But major companies buying products from sweatshops need to be more careful and vigilant in ensuring a transparent and more humane process in manufacturing as well as supplying the products. Regular audits need to be done by these companies with respect to the factory infrastructure and individual wages and working condition including safety and health.</p>
<p>In addition, both the government and the foreign parent companies need to ensure that the factory owner does not situate the factory in a rented property without full control.</p>
<p>Finally, a network-based inclusive governance model needs to be developed with participation from all concerned, including foreign companies, local manufacturers, the government, and representatives of the worker unions, Non-government organisations and the ILO.</p>
<p>Without such arrangements in place, negative downstream impact will continue and similar devastating incidents will reoccur without any real improvement in industry practices and workers’ lives, livelihood and safety.</p>
<p><em>Sharif As-Saber is an Associate Professor of International Business in the School of Management at RMIT. His current research interests include e-governance, anti-corruption, social reregulation, international business, call centre management, geopolitics and international education. This article was originally published at <a href="http://theconversation.com">The Conversation</a>. Read the <a href="http://theconversation.com/bangladesh-disaster-shows-why-we-must-urgently-clean-up-global-sweat-shops-13899">original article</a>.
        </p>
]]></content:encoded>
			<wfw:commentRss>http://raws.adc.rmit.edu.au/~e81843/blog2/?feed=rss2&#038;p=2553</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Prevention not prison: justice reinvestment makes dollars and sense</title>
		<link>http://raws.adc.rmit.edu.au/~e81843/blog2/?p=2538</link>
		<comments>http://raws.adc.rmit.edu.au/~e81843/blog2/?p=2538#comments</comments>
		<pubDate>Fri, 03 May 2013 01:03:01 +0000</pubDate>
		<dc:creator>Peter Norden</dc:creator>
				<category><![CDATA[Law]]></category>
		<category><![CDATA[Politics]]></category>
		<category><![CDATA[Australia]]></category>
		<category><![CDATA[Australian government]]></category>
		<category><![CDATA[budget]]></category>
		<category><![CDATA[criminal]]></category>
		<category><![CDATA[justice]]></category>
		<category><![CDATA[policy]]></category>
		<category><![CDATA[prevention]]></category>
		<category><![CDATA[prison]]></category>

		<guid isPermaLink="false">http://raws.adc.rmit.edu.au/~e81843/blog2/?p=2538</guid>
		<description><![CDATA[Australia spends billions of dollars every year on our prison system yet the number of those being sent to jail keeps increasing. Is this sustainable? Simple logic would suggest not, unless we want to start actively cutting health and education budgets to warehouse criminals. Wouldn’t we better off spending that money more wisely, trying to [...]]]></description>
			<content:encoded><![CDATA[<div id="attachment_2539" class="wp-caption alignright" style="width: 310px"><a href="http://raws.adc.rmit.edu.au/~e81843/blog2/wp-content/uploads/2013/05/q3brsx8k-1367469380.jpg"><img class="size-medium wp-image-2539" title="SILVERWATER JAIL STOCK" src="http://raws.adc.rmit.edu.au/~e81843/blog2/wp-content/uploads/2013/05/q3brsx8k-1367469380-300x199.jpg" alt="Silverwater prison in NSW" width="300" height="199" /></a><p class="wp-caption-text">Silverwater prison in NSW. Australia should be spending more to prevent people going to jail than on housing them in facilities like this. AAP/Paul Miller</p></div>Australia spends billions of dollars every year on our prison system yet the number of those being sent to jail keeps increasing.</p>
<p>Is this sustainable? Simple logic would suggest not, unless we want to start actively cutting health and education budgets to warehouse criminals.</p>
<p>Wouldn’t we better off spending that money more wisely, trying to prevent people ending up in jail rather than providing facilities when they are sentenced to custody?</p>
<p>“Justice reinvested” may sound like a new term here in Australia, but the concept is one which I have been urging for more than twenty years.<br />
<span id="more-2538"></span><br />
It is built on the understanding that our present criminal justice system, and especially our prisons, are not working effectively in the service of the wider community and is failing in its attempts to maintain community safety and to build community harmony.</p>
<p>Given expenditure on Australian prisons is now approaching $2 billion a year, it is also a particularly expensive operation.  Consequently the “justice reinvestment” movement proposes that it is now time to consider more effective and more economically viable alternatives.</p>
<p>So “justice reinvestment” is about not only reinvesting the money that we are currently spending on the construction and operation of an expanding prison network in more effective programs of crime prevention and control, but also ensuring that we protect the human resources that have been substantially impacted by this expansion: particularly our indigenous population, migrant and refugee communities, the mentally ill, the homeless and persons from low income families and neighbourhoods.</p>
<p>Surprisingly this movement has been given momentum by some of the more conservative political forces operating in the United States, namely Republican representatives in Texas.</p>
<p>The movement began in California in 1988. When I visited I found evidence of the beginning of this movement but it was located more in the prison reform groups and the human rights organisations.</p>
<p>They were already using the argument that the present direction and programs of the criminal justice system were not effective and were increasingly eating up a greater percentage of the State’s annual revenue.</p>
<p>Since that time, of course, the American criminal justice system – led by California and other states including Texas – has expanded beyond belief to the current situation where one in 100 American citizens is housed in a correctional facility or under post release correctional supervision in the community.</p>
<p>Here in Australia, over the last twenty years, we have been following a very similar path, and our national prison population has been increasing at three times the rate of the national population, despite the fact that serious crime has not significantly increased in most categories over this same period of time.</p>
<p><div id="attachment_2540" class="wp-caption alignleft" style="width: 310px"><a href="http://raws.adc.rmit.edu.au/~e81843/blog2/wp-content/uploads/2013/05/23mvz98d-1367470717.jpg"><img class="size-medium wp-image-2540" title="USA CALIFORNIA OVERCROWDED PRISONS" src="http://raws.adc.rmit.edu.au/~e81843/blog2/wp-content/uploads/2013/05/23mvz98d-1367470717-300x199.jpg" alt="Overcrowded prison holding area." width="300" height="199" /></a><p class="wp-caption-text">Overcrowded prison holding areas in California. Should Australia really go down the increased imprisonment route? AAP/California Department of Corrections and Rehabilitation</p></div>
<p>During the last fifteen years I worked closely with Professor Tony Vinson of the University of Sydney in national research studies that mapped social disadvantage by postcode.</p>
<p>This research discovered extraordinarily high correlations between levels of social disadvantage and imprisonment. It pointed to the frightful scenario that has been developing in Australia that your postcode could become determinative of your future, in terms of poor education, lack of participation in the job market and eventual engagement with the criminal justice system.</p>
<p>Of course there are many extraordinary examples of individuals, both indigenous and non-indigenous, who grew up in the most disadvantaged neighbourhoods and who are regarded as successful.  But the postcode research pointed to the fact that there are hundreds of thousands of other examples where this was not the case.</p>
<p>A pattern was emerging in the last ten years in Australia where some communities were “dropping off the edge”.  Primary school teachers were beginning to predict with confidence which of their students would end up serving lengthy periods of their lives in high security prisons.  This should never be tolerated in Australia, especially during a time of generally high economic growth and development.</p>
<p>That is why the concept of “justice reinvested” makes so much sense when we consider the future directions of Australian society.</p>
<p>The current <a href="http://www.aph.gov.au/Parliamentary_Business/Committees/Senate_Committees?url=legcon_ctte/justice_reinvestment/index.htm">Senate Inquiry</a> receiving submissions and holding public inquiries about “justice reinvested” is a critically important opportunity to reinforce that point of view.</p>
<p>With limited financial resources in Australia, we cannot afford to continue repeating the mistakes of the past and relying on the criminal justice system to deal with major social problems.</p>
<p>There are more effective and less intrusive solutions available and these approaches are capable of diverting vulnerable citizens away from our criminal justice system in a way that brings real healing and builds greater community cohesion.</p>
<p>Pay attention to the findings of this current Senate Inquiry and let us hope that its recommendations to be passed down in June of this year do not get lost in the forthcoming Federal election.  It is too important an opportunity to let pass.</p>
<p><img src="//counter.theconversation.edu.au/content/13878/count.gif" alt="The Conversation" width="1" height="1" /></p>
<p><em> Peter Norden (AO) is an Adjunct Professor in the <a href="http://www.rmit.edu.au/socialhumanities">School of Global, Urban and Social Studies</a> at <a href="http://rmit.edu.au">RMIT University</a>. He has a broad range of experience in the non-government services sector, and has worked extensively at developing and managing innovative social service programs in the community. This article was originally published at <a href="http://theconversation.com/au">The Conversation</a>. Read the <a href="http://theconversation.com/prevention-not-prison-justice-reinvestment-makes-dollars-and-sense-13878">original article</a>.</em></p>
]]></content:encoded>
			<wfw:commentRss>http://raws.adc.rmit.edu.au/~e81843/blog2/?feed=rss2&#038;p=2538</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Why Queensland didn&#8217;t need to sell the family farm</title>
		<link>http://raws.adc.rmit.edu.au/~e81843/blog2/?p=2516</link>
		<comments>http://raws.adc.rmit.edu.au/~e81843/blog2/?p=2516#comments</comments>
		<pubDate>Wed, 01 May 2013 05:01:41 +0000</pubDate>
		<dc:creator>David Hayward</dc:creator>
				<category><![CDATA[Business]]></category>
		<category><![CDATA[Politics]]></category>
		<category><![CDATA[Australia]]></category>
		<category><![CDATA[Australian government]]></category>
		<category><![CDATA[budget]]></category>
		<category><![CDATA[debt]]></category>
		<category><![CDATA[Peter Costello]]></category>
		<category><![CDATA[policy]]></category>
		<category><![CDATA[politics]]></category>
		<category><![CDATA[premier]]></category>
		<category><![CDATA[privatisation]]></category>
		<category><![CDATA[Queensland]]></category>
		<category><![CDATA[RMIT]]></category>
		<category><![CDATA[treasurer]]></category>

		<guid isPermaLink="false">http://raws.adc.rmit.edu.au/~e81843/blog2/?p=2516</guid>
		<description><![CDATA[Back in July last year Queensland Premier Campbell Newman was in a very black mood. All was gloom and doom in the Sunshine State, as he warned Queensland was “on the way to being bankrupted” without tough action. Back then, his government was shaping up to do a Jeff Kennett, painting the grimmest of pictures [...]]]></description>
			<content:encoded><![CDATA[<p><div id="attachment_2523" class="wp-caption alignright" style="width: 310px"><a href="http://raws.adc.rmit.edu.au/~e81843/blog2/wp-content/uploads/2013/05/nwqhrh7d-1367376341.jpg"><img src="http://raws.adc.rmit.edu.au/~e81843/blog2/wp-content/uploads/2013/05/nwqhrh7d-1367376341-300x193.jpg" alt="Queensland Premier Campbell Newman" title="Queensland Premier Campbell Newman" width="300" height="193" class="size-medium wp-image-2523" /></a><p class="wp-caption-text">Queensland Premier Campbell Newman announces his government’s plan to outsource, rather than completely privatise, many public services. AAP/Dan Peled</p></div> Back in July last year Queensland Premier Campbell Newman was in a very black mood. All was gloom and doom in the Sunshine State, as he warned <a href="http://www.abc.net.au/news/2012-07-24/qld-on-verge-of-bankruptcy-newman/4151006">Queensland was “on the way to being bankrupted”</a> without tough action. Back then, his government was shaping up to do a Jeff Kennett, painting the grimmest of pictures that would justify massive cuts to the Queensland public sector, just as the former Victorian premier did in his first term in power.</p>
<p>Yesterday was the day when it was all meant to come together, with Newman having to make the biggest call of his political life. In announcing <a href="http://www.treasury.qld.gov.au/coa-response/">his government’s response to an audit of the state’s finances</a>, he had to decide whether his Government would support the sale of major pieces of Queensland’s “family farm” – particularly the state’s multi-billion-dollar power assets.</p>
<p><span id="more-2516"></span></p>
<p>To the surprise of many, and despite a lot of pressure from the money men at the top end of town, Newman declared <a href="http://www.couriermail.com.au/news/queensland/premier-campbell-newman-outlines-government-response-to-commission-of-audit/story-e6freoof-1226632086888">“we will save the farm”</a>, rather than “taking the easy way out and having a fire sale of assets”. Instead, he outlined a much quieter and in some ways craftier program of outsourcing and competitive tendering. Private operators are likely to end up leasing and running more state-owned services, from ports, trains and buses, through to health care, including elective surgeries.</p>
<p>Queenslanders are no friend of privatisation, that’s for sure. Only 14 months ago, they savagely <a href="http://www.smh.com.au/opinion/why-privatisation-killed-queensland-labor-20120326-1vugf.html">punished the Bligh Labor government for going down this path</a> without a mandate. It would need a pretty strong case to convince a seasoned politician like Newman to try that option again. So how strong was the case in favor of a fire sale?</p>
<h2>A closer look at the books</h2>
<p>Just days after being elected, the Newman government appointed former federal Treasurer Peter Costello to lead a A$2.2 million audit of Queensland’s finances. The 1000-page final report – released in full yesterday – recommended selling the state’s electricity and port assets to raise more than A$25 billion and rapidly reduce debt.</p>
<p>Costello continued the hard sell right up until the last moment, including inside the cabinet room for his final briefing to MPs. In an article in <a href="http://www.afr.com/p/national/qld_finances_could_get_worse_costello_esrShaCeBbeX2cEMypkXgO">the Australian Financial Review</a> that cited a debt figure of A$82 billion, Costello declared: “Queensland has a problem. Its credit rating has been downgraded, it’s paying higher and higher interest costs and something has got to happen… If it doesn’t change, it’s just going to get worse and worse.”</p>
<p>But just how gloomy is the Sunshine State’s budget outlook?</p>
<p>While A$82 billion sounds like a lot of debt, the picture was always more complex than Costello would have us believe.</p>
<p><div id="attachment_2530" class="wp-caption alignleft" style="width: 310px"><a href="http://raws.adc.rmit.edu.au/~e81843/blog2/wp-content/uploads/2013/05/q86svrrj-13673732861.jpg"><img src="http://raws.adc.rmit.edu.au/~e81843/blog2/wp-content/uploads/2013/05/q86svrrj-13673732861-300x261.jpg" alt="General government balance sheet, Mid-Year Economic and Budget Update, p.15" title="General government balance sheet, Mid-Year Economic and Budget Update, p.15" width="300" height="261" class="size-medium wp-image-2530" /></a><p class="wp-caption-text">General government balance sheet, Mid-Year Economic and Budget Update, p.15</p></div>This table is taken from last December’s <a href="http://www.treasury.qld.gov.au/office/knowledge/docs/mid-year-review/mid-year-review-2012-13.pdf">Mid-Year Economic and Budget Update</a>. It shows the state’s general government balance sheet for the period from 2011/12 through to 2015/16. While it is true that gross debt or total liabilities will exceed $80 billion this financial year, the net debt figure (or gross debt less financial assets) is very different.</p>
<p>The Queensland general government sector in fact had no net debt in 2011/12. And while net debt is projected to grow to a peak of A$9.6 billion by 2013/14, it then starts to fall and then continues its downward trajectory.</p>
<p>Still, you might say, A$9.6 billion is a lot of money to owe. That would be true were we talking about a household or a business – but not for the Government of Queensland, which can tax its citizens to pay the bills and tax them more heavily if it really has to do so. Queensland is, after all, one of Australia’s lowest-taxed jurisdictions, with its per capita taxation in 2012/13 more than $450 below than the Australian average.</p>
<p>But according to Costello’s Commission of Audit, net debt is not the best measure of the state’s liabilities. It includes the financial assets that have been built up to fund the state’s super schemes and which therefore are not available to cover the gross debt on issue. It recommends a different measure, called net financial liabilities:</p>
<p>“As the net debt measure includes investments, it takes account of the large investments Queensland uses to offset its superannuation liability, it does not take account of the liabilities. Under existing Government policy, these investments are held to meet the State’s superannuation liability. Because these investments are not available to reduce gross debt, net debt is not a suitable metric to target in setting an appropriate fiscal strategy… The Commission consider that the most suitable measure of debt is the concept of net financial liabilities&#8221;.</p>
<p>The State’s net financial liabilities (A$39 billion in 2011/12) are much higher than its net debt, and it is this that needs to be paid down. But how good is this as a measure of the State’s balance sheet? The answer is not very, because it ignores the physical and other assets that are crucial to the balance sheet equation (worth a cool A$182 billion in 2011/12).</p>
<h2>What’s a worthier economic measure?</h2>
<p>Net worth is generally considered to be a better measure, for it includes all assets and liabilities and not just those that are financial. Far from being in trouble, Queensland is in fact well and truly in the black according to this measure, with a net worth in the general government sector exceeding A$170 billion in 2011/12, climbing steadily to almost A$180 billion not long after the next scheduled election.</p>
<p>All this is not to say that the Queensland budget is in fine shape. Far from it. But its problems stem not from its balance sheet but the substantial gap between operating income and expenses. Queensland’s operating budget shifted from surplus to deficit in four very difficult years, when revenues went into an unexpected spin and have yet to fully recover. This year the deficit is tipped to exceed A$11 billion, which is very large on any measure and would seem to be genuine cause for concern.</p>
<p>However, this includes one-off expenses associated with flood damage that cost more than A$4 billion. It also includes almost A$1 billion set aside for redundancies arising from Newman’s first budget. When these are excluded, the deficit is a more manageable A$6.3 billion. This is still large, but importantly is not tipped to last forever.</p>
<p><div id="attachment_2528" class="wp-caption alignright" style="width: 310px"><a href="http://raws.adc.rmit.edu.au/~e81843/blog2/wp-content/uploads/2013/05/crgb8nny-1367375004.jpg"><img src="http://raws.adc.rmit.edu.au/~e81843/blog2/wp-content/uploads/2013/05/crgb8nny-1367375004-300x179.jpg" alt="Fiscal balance, Mid-Year Economic and Budget Update, p.4" title="Fiscal balance, Mid-Year Economic and Budget Update, p.4" width="300" height="179" class="size-medium wp-image-2528" /></a><p class="wp-caption-text">Fiscal balance, Mid-Year Economic and Budget Update, p.4</p></div>
<p>The <a href="(http://www.treasury.qld.gov.au/office/knowledge/docs/mid-year-review/mid-year-review-2012-13.pdf">Mid-Year Economic and Budget Update</a> also shows that the operating account is projected to return to surplus by 2014/15, with the corrective measures already put in place being enough to turn the ship around without the need for any more drastic action.</p>
<p>If Queensland’s debt is not large, its net worth is positive, and the government by its own admission reckons it is on track to achieve its financial principles, why bother with a massive asset sales program that would antagonize the people?</p>
<p>Far better to be crafty and privatise services in other ways, through an <a href="http://www.brisbanetimes.com.au/queensland/in-plain-english-commission-of-audit-response-20130501-2irp6.html?rand=1367358381141">outsourcing and competitive tendering program</a> that can turn the public sector inside out, but hopefully jeopardise fewer MPs&#8217; seats. For Premier Campbell Newman, who resides in a marginal electorate himself, hearing that the money men are disappointed may not be such a bad thing.</p>
<p><img src="//counter.theconversation.edu.au/content/13862/count.gif" alt="The Conversation" width="1" height="1" /><br />
<em><a href="http://www.rmit.edu.au/staff/hayward_david">David Hayward</a> is Dean of the School of <a href="http://www.rmit.edu.au/socialhumanities">Global Studies, Social Science and Planning</a> at <a href="http://www.rmit.edu.au">RMIT University</a>.  This article was originally published at <a href="http://theconversation.edu.au">The Conversation</a>. Read the <a href="http://theconversation.com/why-queensland-didnt-need-to-sell-the-family-farm-13862">original article</a>.</em></p>
]]></content:encoded>
			<wfw:commentRss>http://raws.adc.rmit.edu.au/~e81843/blog2/?feed=rss2&#038;p=2516</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Conferring to change the world</title>
		<link>http://raws.adc.rmit.edu.au/~e81843/blog2/?p=2488</link>
		<comments>http://raws.adc.rmit.edu.au/~e81843/blog2/?p=2488#comments</comments>
		<pubDate>Wed, 24 Apr 2013 04:46:53 +0000</pubDate>
		<dc:creator>Luke Wright</dc:creator>
				<category><![CDATA[Education]]></category>
		<category><![CDATA[Law]]></category>
		<category><![CDATA[Politics]]></category>
		<category><![CDATA[Social Justice]]></category>
		<category><![CDATA[experience]]></category>
		<category><![CDATA[harvard]]></category>
		<category><![CDATA[Melbourne]]></category>
		<category><![CDATA[model]]></category>
		<category><![CDATA[RMIT]]></category>
		<category><![CDATA[students]]></category>
		<category><![CDATA[UN]]></category>
		<category><![CDATA[United Nations]]></category>
		<category><![CDATA[worldMUN]]></category>
		<category><![CDATA[youth]]></category>

		<guid isPermaLink="false">http://raws.adc.rmit.edu.au/~e81843/blog2/?p=2488</guid>
		<description><![CDATA[Recently I took part in the incredible experience that is Harvard WorldMUN. I came across the application while browsing the RMIT News feed and had no real idea of what it involved, but decided to jump in to try something new. WorldMUN is an annual event, bringing together more than 2,000 university students from more [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://raws.adc.rmit.edu.au/~e81843/blog2/wp-content/uploads/2013/04/6.png"><img src="http://raws.adc.rmit.edu.au/~e81843/blog2/wp-content/uploads/2013/04/6-300x213.png" alt="Delegates mingle in line" title="Delegates mingle in line" width="300" height="213" class="alignright size-medium wp-image-2498" /></a>Recently I took part in the incredible experience that is <a href="http://www.worldmun.org/page/welcome">Harvard WorldMUN</a>. I came across the application while browsing the <a href="http://www.rmit.edu.au/news">RMIT News</a> feed and had no real idea of what it involved, but decided to jump in to try something new. </p>
<p>WorldMUN is an <a href="http://www.worldmun.org/page/history">annual event</a>, bringing together more than 2,000 university students from more than 80 countries to take part in <a href="http://www.worldmun.org/page/about-us">model United Nations sessions</a>, engaging, debating and working together to tackle the big global issues.  </p>
<p>This was the first year it was hosted in Australia, and <a href="http://rmit.edu.au">RMIT</a> was one of the <a href="http://www.rmit.edu.au/browse/RMIT%20News%2FNews%2Fby%20date%2FJun%2FTue%2012%2F;ID=zad0uq2enuq9z;STATUS=A">major hosts and sponsors</a>. <a href="http://melbourne2013.org.au/">The conference</a> reached new heights this year, being one of the few of its kind to be <a href="http://melbourne2013.org.au/sponsors-media/un-escap-endorsement/">directly endorsed</a> by the <a href="http://www.un.org/en/">United Nations</a> – launching youth engagement and global influence to a whole new level.<br />
<span id="more-2488"></span><br />
My role during the conference was a part of a dedicated team of local logistical interns, tasked with the difficult job of ensuring the large-scale event ran smoothly. My responsibilities spanned from showing international delegates around the city, to taking part in official committee sessions and hosting social events at some of Melbourne’s best locations. </p>
<p><a href="http://raws.adc.rmit.edu.au/~e81843/blog2/wp-content/uploads/2013/04/11.png"><img src="http://raws.adc.rmit.edu.au/~e81843/blog2/wp-content/uploads/2013/04/11-300x213.png" alt="WorldMUN Delegates assemble in building" title="WorldMUN Delegates assemble in building" width="300" height="213" class="alignleft size-medium wp-image-2495" /></a></p>
<p>Throughout the event week, the committee sessions were held at the <a href="http://melbourne2013.org.au/conference-venue/">Melbourne Convention and Exhibition Centre</a>, with extra activities and events being held throughout the city.</p>
<p>While the months of training are complete, and the week of the conference has come and gone, its outcomes and influence will last on. The efforts poured into committee sessions culminated in an <a href="http://melbourne2013.org.au/worldmun-2013-delegates-pass-declaration/">officially drafted working paper</a>, to be used in United Nations development sessions. </p>
<p>Even more inspiring than this however, was <a href="http://www.sbs.com.au/podcasts/Podcasts/radionews/episode/259050/Youths-aim-to-help-shape-their-futures">seeing people my age really get involved in their future</a>, and pursuing the opportunity to be <a href="http://melbourne2013.org.au/resolutions-with-an-impact/">directly involved in change</a>. A common theme that surfaced throughout was that the youth are not just our future, but are our present; something that rang true as I followed my peers’ deep engagement for a common goal. </p>
<p><a href="http://raws.adc.rmit.edu.au/~e81843/blog2/wp-content/uploads/2013/04/26.png"><img src="http://raws.adc.rmit.edu.au/~e81843/blog2/wp-content/uploads/2013/04/26-300x213.png" alt="Delegates at WorldMUN look down at their notes" title="Delegates at WorldMUN" width="300" height="213" class="alignright size-medium wp-image-2491" /></a>On a more personal level, I loved the opportunity to meet new people and learn from such a diverse range of cultures. Both within the intern team and throughout the extensive range of delegates, I’ve now made friendships that have opened doors around the world and helped me grow as a person.  </p>
<p>As an entirely youth-run event, the atmosphere was vibrant and, despite the sometimes hectic schedule, everyone got along like a house on fire and cultural distinctions created only positive interaction together with the great sense of kinship and common future.</p>
<p>The experience was also offered great opportunities for professionally development, and I found I had learned great new skills sets and refined others. Activities like these strengthen your interpersonal skills, understanding of professional environments and the logistics of team work, and give you great networking connections for the future. </p>
<p><a href="http://raws.adc.rmit.edu.au/~e81843/blog2/wp-content/uploads/2013/04/113.png"><img src="http://raws.adc.rmit.edu.au/~e81843/blog2/wp-content/uploads/2013/04/113-300x213.png" alt="The WorldMUN delegates at work" title="The WorldMUN delegates at work" width="300" height="213" class="alignleft size-medium wp-image-2500" /></a>As a student of the <a href="http://www.rmit.edu.au/justice/undergraduate/criminaljustice">Criminal Justice Administration BA</a>, this experience offered a slightly unfamiliar perspective on global importance, and has allowed me to learn a lot. WorldMUN has driven my passion in social sciences towards an international relations perspective, which will now direct my future studies, combining both criminal justice and global relations.</p>
<p>Getting involved with experiences like these is highly recommended. <a href="http://www.rmit.edu.au/browse;ID=twgqgk2ehjjk1">RMIT ensures that it is involved in plenty of exciting ventures</a> and taking part really does give you a lot back. I now have a clearer picture of my future and have achieved some amazing insights. From the friendships gained, to the skills developed, to the great keystone on my resume and being part of true global change, WorldMUN has been worth every minute. Take these opportunities to get involved and you’ll thank yourself for a long time to come. </p>
<p><P><P><br />
<em>Luke Wright is currently completing his final year of the <a href="http://www.rmit.edu.au/programs/bp023">Bachelor of Arts (Criminal Justice Administration)</a>, in the school of <a href="http://www.rmit.edu.au/browse/Our%20Organisation/Design%20and%20Social%20Context/Schools%20and%20groups/Global,%20Urban%20and%20Social%20Studies/">Global, Urban &#038; Social Studies</a> at <a href="http://rmit.edu.au">RMIT University</a>. </em></p>
]]></content:encoded>
			<wfw:commentRss>http://raws.adc.rmit.edu.au/~e81843/blog2/?feed=rss2&#038;p=2488</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Witnesses are forgetting clues to the Boston bombings &#8230; quickly</title>
		<link>http://raws.adc.rmit.edu.au/~e81843/blog2/?p=2468</link>
		<comments>http://raws.adc.rmit.edu.au/~e81843/blog2/?p=2468#comments</comments>
		<pubDate>Fri, 19 Apr 2013 06:47:03 +0000</pubDate>
		<dc:creator>Georgina Heydon</dc:creator>
				<category><![CDATA[Law]]></category>
		<category><![CDATA[Social Justice]]></category>
		<category><![CDATA[attentive]]></category>
		<category><![CDATA[bombing]]></category>
		<category><![CDATA[boston]]></category>
		<category><![CDATA[false]]></category>
		<category><![CDATA[media]]></category>
		<category><![CDATA[memory]]></category>
		<category><![CDATA[police report]]></category>
		<category><![CDATA[tragedy]]></category>
		<category><![CDATA[violence]]></category>
		<category><![CDATA[witness]]></category>

		<guid isPermaLink="false">http://raws.adc.rmit.edu.au/~e81843/blog2/?p=2468</guid>
		<description><![CDATA[Memories, we know, are fallible, and in the case of acts such as this week’s horrific bombings in Boston, this presents particular problems. How can those charged with gathering eyewitness accounts – and those charged with giving them – be sure of what they’re hearing and saying? In a couple of words, they can’t. Last [...]]]></description>
			<content:encoded><![CDATA[<div id="attachment_2476" class="wp-caption alignright" style="width: 310px"><a href="http://raws.adc.rmit.edu.au/~e81843/blog2/wp-content/uploads/2013/04/wft8tjmj-1366179654.jpg"><img src="http://raws.adc.rmit.edu.au/~e81843/blog2/wp-content/uploads/2013/04/wft8tjmj-1366179654-300x188.jpg" alt="" title="USA BOSTON MARATHON AFTERMATH" width="300" height="188" class="size-medium wp-image-2476" /></a><p class="wp-caption-text">Recording the small details as soon as possible is critical. Justin Lane/EPA</p></div>
<p>Memories, we know, are fallible, and in the case of acts such as this week’s <a href="http://www.nytimes.com/2013/04/16/us/explosions-reported-at-site-of-boston-marathon.html?_r=0">horrific bombings</a> in Boston, this presents particular problems. How can those charged with gathering eyewitness accounts – and those charged with giving them – be sure of what they’re hearing and saying? In a couple of words, they can’t.</p>
<p>Last night I tried to remember what I’d had for breakfast. A recollection of porridge and toast swam to the surface of my mind after a second or two, but now, less than 30 hours later, my memory is fading further – what did I have on my toast? – and I doubt I would remember anything even this specific if I hadn’t gone through the recall exercise last night.</p>
<p>Only a few hours separated my breakfast from the twin explosions in Boston. But similarly, witnesses to that terrifying event are already struggling to retrieve the details of their memories.</p>
<p>Critical evidence that might lead to the arrests and prosecution of the perpetrators is disappearing, even as you read this.</p>
<p><span id="more-2468"></span></p>
<p>But my breakfast and the bombings aren’t the same, surely. Those of us who were alive remember where we were when we heard the Twin Towers had been attacked, when Princess Diana died in Paris, when JFK was shot …</p>
<p>We live with the assumption that certain memories, by the gravity of the events contained within them, will remain fixed for ever in our minds. But sadly <a href="http://psycnet.apa.org/?fa=main.doiLanding&amp;doi=10.1037/0033-2909.112.2.284">research</a> <a href="http://www.sciencedirect.com/science/article/pii/0010028575900237">suggests</a> <a href="http://psycnet.apa.org/?fa=main.doiLanding&amp;doi=10.1037/0882-7974.4.1.10">otherwise</a>.</p>
<h2>Before the storm</h2>
<p><div id="attachment_2478" class="wp-caption alignleft" style="width: 310px"><a href="http://raws.adc.rmit.edu.au/~e81843/blog2/wp-content/uploads/2013/04/tx39bbzc-1366179433.jpg"><img src="http://raws.adc.rmit.edu.au/~e81843/blog2/wp-content/uploads/2013/04/tx39bbzc-1366179433-300x189.jpg" alt="Candlelit Vigil" title="USA BOSTON BOMBING AFTERMATH" width="300" height="189" class="size-medium wp-image-2478" /></a><p class="wp-caption-text">Justin Lane/EPA</p></div>
<p>The really important information needed by police investigators and the FBI doesn’t relate to the moment of the explosion but rather the preceding minutes and hours: a glimpse of a suspicious action, a raised voice, an unusual smell, a hurried movement out of place in the crowd, a car registration, an item of clothing, and so on.</p>
<p>What may be a critically-important description of a person or object related to this crime will need to be dredged up from several hours-worth of mundane memories of standing, waiting, watching – or running, exhausted – at the end of yet another marathon.</p>
<p>The human capacity for accurate and reliable observation and recall is lamentably poor, and much entertainment can be derived from the various <a href="http://www.drjoebio.com/uploads/1/8/1/3/1813500/gorrila_in_our_midst.pdf">exercises</a> in observation and eyewitness accuracy using <a href="http://youtu.be/vJG698U2Mvo">videos</a> designed for such classroom experiments.</p>
<p>Extensive research into <a href="http://pages.pomona.edu/~rt004747/lgcs11read/RoedigerMcDermott95.pdf">false memories</a> has demonstrated the fragility of even our capacity to remember what we remember. When it comes to encoding and retrieving memories, one thing is abundantly clear: memory fades fast.</p>
<p>For police and other investigators, time is absolutely of the essence when questioning eyewitnesses to a suspicious incident.</p>
<h2>Over-exposure</h2>
<div id="attachment_2479" class="wp-caption alignright" style="width: 310px"><a href="http://raws.adc.rmit.edu.au/~e81843/blog2/wp-content/uploads/2013/04/nbkxf7gf-1366179881.jpg"><img src="http://raws.adc.rmit.edu.au/~e81843/blog2/wp-content/uploads/2013/04/nbkxf7gf-1366179881-300x173.jpg" alt="Man running during the Boston Bombing " title="USA BOSTON BOMBING" width="300" height="173" class="size-medium wp-image-2479" /></a><p class="wp-caption-text">MetroWest Daily News/Ken McGagh/EPA</p></div>
<p>It might seem eyewitnesses’ memories would be strengthened, and their longevity preserved, by exposure to footage and the stories of other witnesses and journalists endlessly playing on a variety of formats. But again, the <a href="http://link.springer.com/chapter/10.1007/978-3-642-73875-3_22#page-1">research</a> suggests otherwise.</p>
<p>In fact, there is a grave danger of contamination of memories through interaction with these sources of (potentially questionable) information.</p>
<p>So what can be done? Ideally, the police – and a very large team of highly skilled interviewers – would interview everyone immediately. Each potential eyewitness would be sensitively interviewed in a quiet, well-appointed suite with access to refreshments, restrooms and childcare.</p>
<div id="attachment_2482" class="wp-caption alignleft" style="width: 207px"><a href="http://raws.adc.rmit.edu.au/~e81843/blog2/wp-content/uploads/2013/04/jy3fdvrb-1366180922.jpg"><img src="http://raws.adc.rmit.edu.au/~e81843/blog2/wp-content/uploads/2013/04/jy3fdvrb-1366180922-197x300.jpg" alt="Young girl with Candle" title="USA BOSTON BOMBING" width="197" height="300" class="size-medium wp-image-2482" /></a><p class="wp-caption-text">CJ Gunther/EPA</p></div>
<p>The investigators would all be fully briefed and work in synchronisation, with every interview recorded and analysed, and the intelligence made available to every other investigator and dynamically cross-referenced to every other item of intelligence as it emerges.</p>
<p>OK, but this is planet Earth, 2013, not a science-fiction film. The best we can hope for is that a team of investigators small enough to maintain investigative cohesion, but large enough to cover the ground over the coming days, will be deployed immediately following a briefing and start interviewing potential witnesses.</p>
<p>We can hope they won’t waste time with the wrong people; we can hope they’ll be able to collate the data quickly; we can hope people will be contacted and interviewed before they start to forget critically-important details.</p>
<p>We can hope that, under huge pressure to get results, investigators won’t compromise the reliability of the information by using coercive or leading questions.</p>
<p>But we will probably settle for a lot less than this, because that’s just the way things are, right?</p>
<h2>The paper trail</h2>
<p>If we can turn our attention to a project underway in England, it would seem there is another way. The Greater Manchester Police have a special trick up their organisational sleeve called the Self-Administered Interview (<a href="http://www.selfadministeredinterview.com/">SAI</a>) – a paper-based interviewing system designed specifically for circumstances such as those of the Boston Marathon blasts.</p>
<p>Field trials commenced in the UK in 2009 to see if the SAI was beneficial to police investigating crimes with witnesses. One <a href="http://www.selfadministeredinterview.com/case-studies/serious-road-traffic-incident-greater-manchester-police/">case study</a> showed completed SAIs from witnesses were</p>
<blockquote><p>comprehensive and detailed, containing useful information for legally proving the case against the defendants, and establishing the charge as a joint venture. Furthermore, using the SAI permitted them to identify three further key witnesses who provided formal statements containing important information concerning actions leading up to the incident.</p>
</blockquote>
<p>The SAI form provides instructions to eyewitnesses so that they can record their account of the incident immediately. The completed forms are returned to the police and a small team of investigators can process the resulting data, maintain consistent lines of investigation, identify the key witnesses and contact them for a formal interview.</p>
<p>The subsequent interview is informed by the information gathered from the SAI, and the result is a more reliable and detailed account than is presently possible using existing witness interviewing protocols.</p>
<p>The Manchester public appear to have embraced the system, judging by high rates of participation and the pages of detailed accounts that have been submitted in <a href="http://onlinelibrary.wiley.com/doi/10.1111/j.2044-8333.2011.02015.x/full">field trials</a>.</p>
<p>Police are <a href="http://www.selfadministeredinterview.com/news/the-sai-featured-on-bbc-radio-4-mind-changers/">enthusiastic</a> about the project and keen to keep working with academics to expand it further to a wider range of crime scenes.</p>
<p>Will the system be available to the Metropolitan Police in time for the upcoming London Marathon? It’s likely it will, thanks to the high level of cooperation between police and researchers in the United Kingdom.</p>
<p>Clearly able to see the benefits of this project, the <a href="http://www.btp.police.uk/">British Transport Police</a> have already begun <a href="http://www.criminallawandjustice.co.uk/features/Self-Administered-Witness-Interviews-%E2%80%93-Part-II">field trials</a> in the SAI, and police in Norway <a href="http://www.criminallawandjustice.co.uk/features/Self-Administered-Witness-Interviews-%E2%80%93-Part-IV">commenced training</a> in the SAI with The Netherlands <a href="http://www.criminallawandjustice.co.uk/features/Self-Administered-Witness-Interviews-%E2%80%93-Part-IV">soon to follow</a>.</p>
<p>And in the case of Boston? In the time I have taken to write this article, more memories have faded, witnesses have been exposed to a barrage of potentially contaminating information and evidence has been lost.</p>
<p>&nbsp;</p>
<p><em><a href="http://www.rmit.edu.au/staff/heydon_georgina">Dr. Georgina Heydon </a>is a Senior Lecturer in Criminal Justice Administration, in the <a href="http://www.rmit.edu.au/socialhumanities">School of Global, Urban and Social Studies</a> at <a href="http://rmit.edu.au">RMIT University</a>. She is an active researcher currently working on a number of projects and publications, and also provides expert testimony as a forensic linguist. This article was originally published at <a href="http://theconversation.com">The Conversation</a>. Read the <a href="http://theconversation.com/witnesses-are-forgetting-clues-to-the-boston-bombings-quickly-12935">original article</a>.
        </p>
<p></em></p>
]]></content:encoded>
			<wfw:commentRss>http://raws.adc.rmit.edu.au/~e81843/blog2/?feed=rss2&#038;p=2468</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Peter Corrigan: Embracing depth, complexity and passion</title>
		<link>http://raws.adc.rmit.edu.au/~e81843/blog2/?p=2444</link>
		<comments>http://raws.adc.rmit.edu.au/~e81843/blog2/?p=2444#comments</comments>
		<pubDate>Fri, 12 Apr 2013 02:33:03 +0000</pubDate>
		<dc:creator>Suzanne Davies</dc:creator>
				<category><![CDATA[Art & Design]]></category>
		<category><![CDATA[architecture]]></category>
		<category><![CDATA[exhibition]]></category>
		<category><![CDATA[Peter Corrigan]]></category>
		<category><![CDATA[RMIT building 8]]></category>
		<category><![CDATA[RMIT Gallery]]></category>
		<category><![CDATA[set design]]></category>
		<category><![CDATA[theatre]]></category>

		<guid isPermaLink="false">http://raws.adc.rmit.edu.au/~e81843/blog2/?p=2444</guid>
		<description><![CDATA[In the writing of Australian cultural history, certainly the arts, the focus is fairly narrow: youth obsessed because youth presumably equates to “The New” and, as we like to tell ourselves, we are a young country (with a problematic relationship to history). If at all possible, complexity is to be avoided. Complexity takes work and [...]]]></description>
			<content:encoded><![CDATA[<p><div id="attachment_2462" class="wp-caption alignright" style="width: 310px"><a href="http://raws.adc.rmit.edu.au/~e81843/blog2/wp-content/uploads/2013/04/Building-8-4_00052.jpg"><img src="http://raws.adc.rmit.edu.au/~e81843/blog2/wp-content/uploads/2013/04/Building-8-4_00052-675x1024.jpg" alt="" title="Peter Corrigan - RMIT Building 8" width="300" class="size-large wp-image-2462" /></a><p class="wp-caption-text">Edmond and Corrigan, Building 8, RMIT University Swanston St, Melbourne, Vic., 1994. (Source: John Gollings)</p></div>In the writing of Australian cultural history, certainly the arts, the focus is fairly narrow: youth obsessed because youth presumably equates to “The New” and, as we like to tell ourselves, we are a young country (with a problematic relationship to history). </p>
<p>If at all possible, complexity is to be avoided. Complexity takes work and time to negotiate and often requires a depth of knowledge and lateral thought. </p>
<p>Charming one-liners are the preferred mode. And our awareness of history and the richness of the endeavors of those who preceded us are largely limited to a chosen few. </p>
<p>Generally, we are neither a confident nor adventurous nation when it comes to investing resources and recognising the achievements and value of culture, certainly not in the arts.</p>
<p>One of the privileges and responsibilities of a university gallery is to be free of the need to meet popular expectations. In these places we can challenge the familiar by critically engaging with complex imaginative creative practices. Most importantly, we can expand our historical awareness by exploding the canonical repertoire of who and what matters.</p>
<p>Bearing in mind the why, at RMIT Gallery we are intrigued by the creative achievements of all generations, locally and globally, especially where there are interdisciplinary and cross-cultural elements.</p>
<p>It was in this context that a conversation began some years ago in the gallery as to how and on whose work we might focus. Different exhibition formats have been developed. On occasion we explore a body of work from one visual artist or designer.</p>
<p><span id="more-2444"></span></p>
<p>Three such shows come to mind – the distinguished German sculptor and performance artist Klaus Rinke, who engaged with Aboriginal Australia before it was on the arts radar; Liu Xiao Xian, an Asian Australian cross-media artist who with wit and material mastery explores differences between the East and West in approaches to medicine, religion, ecological issues; and Australia’s first haute couture fashion designer, Hall Ludlow.</p>
<p>So the idea of an exhibition exploring the work of architect and theatre designer Peter Corrigan was immediately compelling, both in the achievements of the architectural firm Edmond &#038; Corrigan (with Maggie Edmond), as well as Corrigan’s extensive work in theatre.</p>
<p>Edmond &#038; Corrigan’s design for RMIT’s Building 8 won the RAIA Walter Burley Griffin National Award for Urban Design in 1995.</p>
<p>I first became aware of Peter Corrigan’s energy and influence as a teacher at the time RMIT became publisher of architectural journal Transition and then through his theatre work, having been engaged to photograph a set and costumes. Intrigue and respect have grown stronger over time. Peter Corrigan has always made clear to RMIT Gallery the need to be mindful of historical context. He has attended thoughtfully most if not all our exhibitions. </p>
<p>Now, fittingly, the distinguished architect will be the subject of an exhibition at RMIT Gallery – one that explores his complex imagination and influences. <a href="http://www.rmit.edu.au/browse;ID=ey6hqewljonq1">Peter Corrigan: Cities Of Hope </a> opens on 12 April at RMIT Gallery. We have produced a <a href="http://www.youtube.com/watch?v=w0MkvHm6snI&#038;list=PL60E6576BC0DC0320&#038;index=1">short video</a> to provide a taste of the complexity and many creative passions of Peter Corrigan’s world, achievements and influence.</p>
<p>RMIT Gallery exhibition co-ordinator Vanessa Gerrans has devoted a substantial effort over the past 18 months to this major curatorial project. Audiences will be able to appreciate how a lifetime’s worth of collecting, amassing, and immersion in art, books and ideas produces a depth and complexity of designs and cultural references not attainable from a cursory glance at electronic media.</p>
<p>In place of a Wikipedia link, we will be installing more than 500 of Peter Corrigan’s rare and interesting books, predominantly on architecture, and more than 150 artworks from Peter Corrigan’s own collection. This includes artists Micky Allan, Rick Amor, Christian Bérard, Kristian Fredrikson, Kristin Headlam, Bill Henson, Philip Hunter, Roger Kemp, Utagawa Kunisada II, Utagawa Kunisada, Daniel Libeskind, Giovanni Battista Piranesi, Kenneth Rowell and Gabriela Tylesova.</p>
<p>As Peter Corrigan explains, the work on display is maximalist in style and the use of colour (the walls are a riot of orange, purple, green and navy) is intended to be life-affirming in the midst of our cautious, timid world, controlled by the rulers of taste and class. </p>
<p>The outstanding generosity of so many expert voices guarantee this will be an exhibition experience of extraordinary impact. And throughout, it is the voice and vision of Peter Corrigan, nudging, guiding, shaping, challenging, provoking, transforming, enabling and seducing, that we hear and see in all their contrarian passion.</p>
<p>&nbsp;<br />
<em>This piece combines a series of extracts from the catalogue, Peter Corrigan: Cities Of Hope, RMIT Gallery 12 April – 8 June 2013.<br />
Suzanne Davies is Director and Chief Curator of <a href="http://www.rmit.edu.au/rmitgallery">RMIT Gallery</a>.</em></p>
]]></content:encoded>
			<wfw:commentRss>http://raws.adc.rmit.edu.au/~e81843/blog2/?feed=rss2&#038;p=2444</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
	</channel>
</rss>
